Wonder Woman

Justice League (vol. 2) #3

Issue Credits

Writer
Geoff Johns
Penciller
Jim Lee
Inker
Scott Williams
Colourist
Alex Sinclair, Hi-Fi, and Gabe Eltaeb
Letterer
Patrick Brosseau
Designer
Brian Walters (Secret History of Atlantis text-piece)
Assistant Editor
Darren Shan
Editor
Brian Cunningham
Cover Penciller
Jim Lee
Cover Inker
Scott Williams
Cover Colourist
Alex Sinclair
Variant Cover Penciller
Greg Capullo
Variant Cover Inker
Jonathan Glapion
Variant Cover Colourist
Fco Plascencia

Quotes

Wonder Woman
Steve, this place, your home, is filled with so many wonderful things. Ice cream and rock and roll and… many wonderful things. But there is also a darkness that lurks here too. One I’m going to fight. That’s what I’m here for. That’s why I’m staying. To fight.

Innocent bystander
Don’t hurt me!
Flash
I’m only here to help, Ma’am.

Wonder Woman
CREATURES OF EVIL! BACK TO HADES!
Flash
Uh… wow.
Green Lantern
Dibs.

Synopsis "Justice League -- Part Three"

Main Story: “Justice League — Part Three” (22-pages)

Previously: It is five years ago and Earth’s newly emerged superheroes are feared by a populice who cannot yet tell them apart from the super villains. During their first team-up, Gotham City’s Batman and Coast City’s Green Lantern find themselves fighting a Para-Demon. They follow-up the possibility that it is an alien creature by questioning the “alien” Superman in Metropolis. A misunderstanding between them leads to a brawl and Green Lantern calls in the Flash to back them up. The four heroes have only just got their personal misunderstandings sorted out when a Mother Box they seized from the first Para-Demon starts “pinging”. A massive Boom Tube suddenly opens and a hoard of Para-Demons pour through. A second portal opens in STAR Labs, Detroit severely injuring Victor Stone, the son of Silas Stone, a scientist who had been studying the alien Boxes.

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Justice League #1 Variant Covers

DC has released the variant covers for Justice League #1. There are two different covers,  the normal one by Jim Lee and a variant by David Finch. To confuse matters more each of those covers also appears as two-variants. The Jim Lee version has a blue background on the normal issue and a yellow background on the combo-pack issues (the one containing the voucher for a digital copy). The Finch cover is a 1:25 variant. I really can’t say I’m taken with the Finch cover, they all look so grumpy. I prefer the smiling image from Ivan Reis ‘s NYCC poster.

All of them the covers now show Wonder Woman without any leggings. Putting aside the sexism issue, I just don’t think it looks right. The redesigns had been done to make the League looked more team-like, but they are now making WW look less like the other characters (who all have full-length leggings).

The colouring doesn’t help. The original WW costume had blue-shorts and red-boots. In reality we know that it’s a completely unrealistic outfit, but we are so used to it – because its been there for 70-years – that we don’t usually think about it. This new WW costume with its black-shorts and black-boots is, in my thinking, enough of an alteration to break that 70-year blind-spot and make us realise how odd it actually looks. It also doesn’t help that we’ve had the JMS full-length leggings in place for a year or so. If you’ve read Wonder Woman #613 you’ll have seen both WW costumes side-by-side and neither of them looks wrong. Yet this hybrid version just doesn’t work as well as either the classic or the previous version.

I feel a similar way on Superman’s costume. The segmentation of the suit doesn’t bother me so much as the change in colouring on the belt and trunks. Look again at Superman’s new costume and you’ll see that he’s still wearing trunks as that part of his suit, they are still outlined by a segmentation line. As a defined area of his costume it still exists. That red-belt just clashes against so much blue. Red-and-yellow against blue or red-and-black against blue works because the three colours create a balance, but just red on its own looks garish.

Justice League: Generation Lost #23

Issue Credits

Writer
Judd Winick
Penciller
Fernando Dagnino
Inker
Raul Fernandez
Colourist
Hi-Fi
Editor
Brian Cunningham and Rex Ogle
Cover Artist
Dustin Nguyen
Variant Cover Artist
Aaron Lopresti
Variant Cover Colourist
Hi-Fi

Quotes

Max: Ivo, we have got to improve the security on this @#$% ship.

Max: Geez, Michael, did you think threatening me was actually going to end this?
Booster Gold: No. I was hoping I’d have to beat you like a damn dog first.
Max: Now you’re talking.

Synopsis "Caught"

Previously: It has all come down to this – the final confrontation between the manipulative Maxwell Lord and his former allies in the Justice League International. Via the Blue Beetle the JLI have learnt that Max has been building an android powerful enough to destroy Wonder Woman (despite most of the world not remembering who she is, who Max is, or that she ever killed Max). The last-minute assistance of Power Girl and Batman (Bruce Wayne) leads them to Wonder Woman moments before hundreds of OMACs fill the skies.

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Justice League: Generation Lost #22

Issue Credits

Writer
Judd Winick
Penciller
Joe Bennett
Inker
Jack Jadson and Ruy Jose
Colourist
Hi-Fi
Letterer
Swands
Editor
Rex Ogle and Brian Cunningham
Cover Artist
Dustin Nguyen
Variant Cover Colourist
Hi-Fi
Variant Cover Artist
Kevin Maguire

Quotes

Blue Beetle: Truth is, I’m still learning about this thing. My whole superhero-ing gig is a work in progress.
Fire: Get in line.

Power Girl: Batman remembers Max Lord.
Booster Gold: You do?
Batman: I do.
Booster: Thank. You. God.

Synopsis "A good new, bad new sort of thing"

Previously: The Justice League International were at their lowest ebb. Maxwell Lord had killed the Blue Beetle (Jaime Reyes) and had framed Captain Atom for the murder of hundreds of people. Booster Gold, who had grown into the role of the group’s leader, was forced to admit that “We’ve Lost!”. However, that was before he discovered that Beetle wasn’t quite as dead as they thought…

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Justice League: Generation Lost #15

Issue Credits

Writer
Judd Winick
Penciller
Joe Bennett
Inker
Jack Jadson and Ruy Jose
Colourist
Hi-Fi
Letterer
Swands
Editor
Rex Ogle and Brian Cunningham
Cover Artist
Dustin Nguyen
Variant Cover Colourist
Hi-Fi
Variant Cover Artist
Kevin Maguire

Quotes

Maxwell Lord: What the @#$% do you mean, “Who is Wonder Woman?!”

Booster Gold: I’m sorry that Max framed you and I’m sickened and horrified that that piece of crap murdered a thousand people on this road to whatever the @#S% this road is — BUT, YOU DON’T GET TO KILL HIM!

We are the good guys, Nate. And sometimes being the good guys sucks. Sometimes it means you’ve gotta eat it for a while until you’ve won. And the future is malleable! I know that better than anyone. You changed things just by coming back from whatever mass hazard, post-apocalyptic, cranky Power Girl version of Earth you got puked up on!

But, no! You don’t get to kill Max Lord! We capture him and he gets stuck in a concrete hole with 85 power dampers strapped to every appendage — and he rots there! But before we do that — I’M GOING TO BEAT EVERY LAST LOVING @#$% OUT OF HIM. And you are not going to deprive me of that! Got it!?!

Synopsis "Tomorrow Is Today"

Previously: Maxwell Lord, the corrupt ex-Checkmate and JLI director, was killed by Wonder Woman when he refused to release a mind controlled Superman. The White Lantern/Life Entity later resurrected Max and obliged him to murder the superhero Magog. Max’s life is now his own again and he has turned his attention back to the woman who killed him. Captain Atom has become aware of a potential war-torn future created by Max’s murder of Wonder Woman.

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JLA Solicitations for December 2010 (updated)

DC Comics have released the first JLA solicitations for December 2010 as part of their Brightest Day preview on The Source. The conflict with the Crime Syndicate continues in JLA and the Dark Supergirl who was foreshadowed in Justice League of America (vol 2.) #48 makes her reappearance on a fantastic variant cover by David Mack. In Generation Lost Captain Atom gets another glimpse of the future. The solicitation makes reference to a Wonder Woman appearance which is interesting considering that the Greek Gods have altered reality around her (the JMS arc) and that the she killed Maxwell Lord the first time around – it could be a continuity nightmare, but the Generation Lost guys seem to be facing it head on.

Updated: to add JLA/The-99 #3 and Power Girl #19 which were included in DC’s full solicitation.I’ve included Power Girl as it features the JLI on the cover. The League are also mentioned in the Supergirl solicitation.

JUSTICE LEAGUE OF AMERICA #52
Written by JAMES ROBINSON
Art by MARK BAGLEY, ROB HUNTER & NORM RAPMUND
Cover by MARK BAGLEY & ROB HUNTER
1:10 Variant cover by DAVID MACK

With Washington, D.C. in the hands of The Omega Man and the full extent of his horrific power revealed, the JLA is forced to make a difficult decision. Is there no choice for the World’s Greatest Heroes but to team with the World’s Worst Villains – the Crime Syndicate – in order to save both Earths? How will this desperate action be affected by Ultra Man’s betrayal of everyone. . . and the reappearance of Dark Supergirl?
Retailers please note: This issue will ship with two covers. Please see the Previews Order Form for more information.

On sale DECEMBER 22 • 40 pg, FC, $3.99 US

JUSTICE LEAGUE: GENERATION LOST #15-16
Written by JUDD WINICK
Issue #15 art by JOE BENNETT
Issue #16 art by FERNANDO DAGNINO
Covers by DUSTIN NGUYEN
1:10 Variant covers by KEVIN MAGUIRE

DC’s biweekly JUSTICE LEAGUE event continues!
In issue #15, the world blames the Justice League International for the recent Chicago death toll and the death of a hero. As our team deals with the fallout, Captain Atom returns from a dark future with information on Max Lord’s ultimate plan – and Wonder Woman plays a major part in it!
In issue #16, the Creature Commandos have attacked the JLI and one of the team lies dying. Meanwhile, Power Girl swears vengeance on the JLI for her friend’s death, but Batman suspects foul play.
Retailers please note: : These issues will ship with two covers each. Please see the Previews Order Form for more information.

Issue #15 on sale DECEMBER 8
Issue #16 on sale DECEMBER 22
32 pg, FC, $2.99 US

JLA/THE 99 #3
Written by FABIAN NICIEZA & STUART MOORE
Art by TOM DERENICK & DREW GERACI
Cover by FELIPE MASSAFERA

The first-ever meeting between DC Comics’ Justice League of America and Teshkeel Comics’ the 99 continues! Hawkman joins three members of The 99 on a flight to Brazil where earthquakes and devastation suggest the existence of another Noor Stone and another new addition to the 99’s team! Can Hafiz harness the stone’s power before he destroys everything? And why is Firestorm acting so . . . oddly?

On sale DECEMBER 29 • 3 of 6 • 32 pg, FC $3.99 US

POWER GIRL #19
Written by JUDD WINICK
Art and cover by SAMI BASRI

It was bound to happen what with her participation in JUSTICE LEAGUE: GENERATION LOST – Power Girl relies on the JLI to help her turn her recent fortunes around! But how will that sit with her current teammates in JSA ALL-STARS?

On sale DECEMBER 22 • 32 pg, FC, $2.99 US

The Age of TV Heroes

The Age of TV Heroes
By Jason Hofius and George Khoury – Published by TwoMorrows Publishing – ISBN 978-1-60549-010-6

The first thing to say about The Age of TV Heroes is damn!, that’s a nice cover. Alex Ross renders DC’s four iconic TV heroes – George Reeves (The Adventures of Superman), Adam West (Batman), Jackson Bostwick (SHAZAM), and Lynda Carter (Wonder Woman) – so brilliantly that I suspect it’ll be one of the major selling points for this book.

The remit of the book is very tightly focused – this is a book about live action television superheroes, specifically adaptations of comic book superheroes although a few other series get a mention in the extensive time-line that opens the book. Each subsequent chapter focuses on a particular significant character or property so Adam West’s Batman get’s his own chapter, but George Reeves and Dean Cain’s Supermen share a chapter. Interesting Superboy (The Adventures of Superboy and Smallville) is handled separately from Superman.

For reference the chapters are:

  1. A Comic Book-To-TV Hero Timeline
  2. Superman/Lois & Clark
  3. Batman
  4. Shazam!
  5. Wonder Woman
  6. Spider-Man
  7. Legends of the Superheroes
  8. Captain America
  9. Doctor Strange
  10. The Incredible Hulk
  11. Swamp Thing
  12. Superboy/Smallville
  13. The Flash
  14. Vampirella
  15. The Tick

Yes, you did read that right, there is a chapter on Legends of the Superheroes. There are also three “commercial breaks” focusing on the “TV Hero Movie Show Hosts”, “Salute to the Super Heroes” (the water ski show), and The Greatest American Hero. Some of these chapters are more interesting than others depending on your tastes.

The Age of TV Heroes is full-colour throughout and makes excellent use of contemporary photographs (publicity and candid) and occasionally comic-book artwork. Most of the chapters include quotes from interviews with one or more producers/actors from each show. The writers have also tried to shape the development and decline of each show into a narrative. Together this lifts the book above the usual bargain basement TV history books which are usually too cheap to get the creators’ help/input. That said the over all design of the book isn’t terribly consistent and bounces around from style-to-style each time you turn the page. Yet somehow this style does seem to strangely suit the TV superheroes.

Some of these shows have received more press that others. The pathos and tragedy surrounding The Adventures of Superman means that it’s hard to being much new to the topic. Nevertheless, that chapter does benefit with plenty of quotes from a Jack Larson (Jimmy Olsen) interview. The sections on the Legends of the Superheroes and the Salute to the Super Heroes are probably unique in covering these properties in-depth.

Justice League of America (vol. 2) #0

Quotes

Superman (about Batman): In all our time working together it was the first time I saw Bruce scared. It wasn’t the aliens. Or the diamonds. Or even the Mach 6. It was just the simple and unavoidable realization that there were bigger things on the planet than him. And that’s what terrified Batman. [...] But as he’s done every day since he was eight years old, instead of being ruined by his darkest and most ruthless fears he embraces them.

Wonder Woman: So we’re on again? Once every year?
Batman: That’s fine, Diana. But I think we can do better than that. And maybe even invite a few friends along in the process.
Wonder Woman: Did you just say friends?
Batman: I meant teammates.
Superman: We know what you meant, Bruce.

Issue Credits

Writer
Brad Meltzer
Artist
Eric Wight (pgs 1-4), Dick Giordano (pg 5), Tony Harris (pg 6), George Perez (pg 7), J.H. Williams III (pg 8.), Gene Ha (pg 10), Rags Morales (pg 11), Ethan Van Sciver (pg 12), Kevin Maguire (pg 13), Adam Kubert (pg 14), and Jim Lee (pg 16)
Penciller
Luke McDonnell (pg 9), Dan Jurgens (pg 15), Howard Porter (pg 17), Andy Kubert (pg 18), Phil Jimenez (pg 19), and Ed Benes (pgs 20-24)
Inker
Paul Neary (pg 9), Kevin Nowlan (pg 15), Dexter Vines (pg 17), Jesse Delperdang (pg 18), Andy Lanning (pg 19), and Sandra Hope (pg 20-24)
Colourist
Alex Sinclair
Letterer
Rob Leigh
Assistant Editor
Jeanine Schaefer
Editor
Eddie Berganza
Cover Artist
Michael Turner and Peter Steigerwald
Variant Cover Penciller
J. Scott Campbell
Variant Cover Inker
Sandra Hope
Variant Cover Colourist
Edgar Delgado

Synopsis "Yesterday, Today, Tomorrow"

The trinity of Superman, Batman, and Wonder Woman, like other groups of Leaguers, have always met independently of the monthly Justice League meetings. Since their first loss (the Red Tornado against the Nebula Man) they’ve met annually to discuss the state of the Justice League.

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The Graduates – Part II: Donna Troy

In this series of posts I running discussing the Graduate Leaguers, those characters who have upgraded from the Titans to the Justice League as of JLA #41. First I covered the current status of the Titans as a group, but this time we’ll take a more detailed look at recent goings on around Donna Troy, the original Wonder Girl.

Donna Troy

Donna was originally introduced into the Teen Titans as Wonder Girl, Wonder Woman’s sidekick, in Brave and the Bold #60 (June-July 1960). However, Wonder Woman never had a sidekick in her own comic so Donna was a whole invention by the Teen Titans creators Bob Haney and Nick Cardy. Later creators have tried to reconcile Donna’s origin with the Wonder Woman mythology to varying degrees of success.

Donna was the first of the Titans to marry in Tales of the Teen Titans #50 (February 1985) and to have a child in the 1992 “Total Chaos” crossover. She was already estranged from her husband when he and their son were killed in a car crash in Wonder Woman vol 2. #121 (May 1997). Donna had became too old to be called Wonder Girl and had had a couple of different identities. First as Troia (as an avatar of the mythical Titans) and then as a Darkstar (a group set up by the Controllers in order to compete with the Guardian’s Green Lantern Corps). She has since defaulted back to using her own name and does not use a codename.

Donna’s recent history begins with her dead at the hands of a malfunctioning Superman Robot in 2003′s Graduation Day mini-series. This was the series that was the catalyst which saw Young Justice and the Titans reorganise into the Geoff Johns’ Teen Titans and Judd Winick’s Outsiders. It was explained in 2005′s The Return of Donna Troy mini-series that Donna had actually been reborn as one of the Titans of Myth, a group of immortals connected to the Olympian Gods, who were planning on escaping the impending chaos of the Infinite Crisis. The Teen Titans/Outsiders restored Donna’s memory and freed her from the Titans of Myth’s plans. It was explained that Donna had a unique link to the Multiverse because Dark Angel, an evil duplicate of herself from the first Multiverse, had repeatedly interfered in her past. This explains why Donna’s back story so often seems in flux.

Donna played a significant role during the Infinite Crisis when she used the resources of the Titans of Myth to transport a team of heroes to the centre of the Universe and into the heart of the Rann-Thanagar War. This set-up Starfire, Animal Man, and Adam Strange’s journey home in 52 and the discovery of the 52 Multiverse by the Red Tornado. Donna also became the custodian of the Orb of the Monitor with which she bore witness to the “History of the DC Universe” during the backups in 52. Later on, during the year shown in 52, she briefly succeeded her sister as Wonder Woman. The Monitors of the New Multiverse saw her as an anomaly as the believed that she was meant to have died during the Infinite Crisis (a wrinkle in reality mean that Jade died instead). She went on the run from them in Countdown to Final Crisis with Kyle Rayner (Green Lantern and her ex-boyfriend) and Jason Todd (the formerly dead Robin). She eventually met a another corrupted version of herself:

Once she’d returned from space and the Multiverse Donna rejoined the Titans, but she never felt settled. She described the feeling as,

Sometimes I feel like I was never young. I was saving the world before I could drive. We all grew up so fast. Well, most of us, but from the start , I was always  the adult. The big sister. The den mother. Always looking after everybody else. Always there for them. So why do I feel so alone.

Donna Troy, Titans #20 (Feb 2010) by Mike Johnson

When the monster Genocide (a Frankenstein-like aberration created by the Secret Society) attacked Wonder Woman Donna stood by her side. Psychic feedback from Genocide played on Donna’s fears and she began blaming Diana for her family’s deaths. She fought Diana on the shores of Paradise Island until wakened from her hallucinations. Unfortunately that imbroiled them in a complex powerstruggle between the Gods, the Amazons, and the newly created Olympians (Zeus’s male Amazons). She stood by Hippolyta and Diana’s side when they faced Zeus and forced him to confess his failures (Wonder Woman #36-39, Nov 09-Feb 10).

Donna had been trying to restart her private life by accepting new photography commissions (she was a photographer back when she was married), but her first job turned out to be a trap set by the Fearsome Five. Nevertheless, she rented a new apartment in Miami and began dating again (Titans #20). Donna was present at Animal Man’s house in Cry For Justice #5 when Congorilla and Starman recruited his help. And it was Donna who captured Prometheus in Cry For Justice #6.

Her live was unturned again when the corpses of her dead son Robert and ex-husband Terry were reanimated as Black Lanterns. She was bitten by one of them and began to sense Nekron’s power even before he turned her into a living Black Lantern (Blackest Night: Titans #1-3, Blackest Night #5). And for the record, that undead baby was the creepiest, sickest thing in the entire run of Blackest Night – not even undead Black Lantern Doctor Light came close. Donna was at the Hospital to retrieve Robert’s corpse for reburial when we first see her in JLA #41.

Why does Donna deserve to be in the Justice League? In one way or another she has been a principal in almost every major plot line from her return through Blackest Night. Right now she’s A-list DCU. Donna is obviously standing in for Wonder Woman, but there is a prescient for this. When Hippolyta was punished by being made Wonder Woman (following Diana’s death) she took her daughter’s place in the Justice League. Also, when Artimes took over the Wonder Woman mantle she tried to replace Diana in Justice League America. In the modern comics Donna is Diana’s twin sister, not her younger sister. She is as fast, as strong, and as tough as Diana and she may even be a more rounded person. So she’s a natural and deserving JLA candidate if and when her sister isn’t available.