Superman

Superman Vs Wonderman ruling

Over at BC Mark Seifert has linked to a copy of the check which DC Comics gave to Jerry Siegel and Joe Shuster in payment for the rights to Superman. Mark also mentions the first legal case involving Superman where DC sued Fox Comics over a character called Wonder Man. The wonderfully named judge August Hand (in the comics he would be a super villain) wrote in his judgement that:

Defendants attempt to avoid the copyright by the old argument that various attributes of “Superman” find prototypes or analogues among the heroes of literature and mythology. But if the author of “Superman” has portrayed a comic Hercules, yet if his production involves more than the presentation of a general type he may copyright it and say of it: “A poor thing but mine own.” Perhaps the periodicals of the complainant are foolish rather than comic, but they embody an original arrangement of incidents and a pictorial and literary form which preclude the contention that Bruns was not copying the antics of “superman” portrayed in “Action Comics”. We think it plain that the defendants have used more than general types and ideas and have appropriated the pictorial and literary details embodied in the complainant’s copyrights.

Which is rather nice description of Superman’s originality, even if the judge felt his comics were “foolish rather than comic”.

Amazing Andru/Giordano Superman cover

I was rifling through the back issue bins at the Birmingham Comic Show (good event, a bit small and more indy than my interests, but fun nevertheless) yesterday when I found this old Earth-One Superman comic from 1979. It’s not hard to find and its not a key issue, but that cover is amazing. It’s signed by Ross Andru and Dick Giordano. The ferocity of Krypton’s explosion with its brilliant-yellow core and the dark-green back-drop of space works brilliantly against the giant spectral figure of Superman. And that rocket design may not be flashy, but its shown to its best here as a bullet firing away from the dying world.

Superman TAS: World’s Finest Part Three

Screen Shots

Episode Credits

Quotes

Lois: How could you have lied to me like that?
Bruce: Now I never actually said I wasn’t Batman.
Lois: <slaps the wound she was dressing>
Bruce: Ow!

as the Lexwing explodes with the Joker on board
Harley: Pudding!!
Batman: At this moment he probably is.

Synopsis "World's Finest Part Three"

Previously in Part One: The cash-strapped Joker has hired himself out to Lex Luthor with the promise that he’ll kill Superman using a stolen kryptonite statue. The Batman, as Bruce Wayne, has followed the Joker to Metropolis under the pretence of overseeing a business deal with Lex. Wayne’s romance with Lois Lane does not impressed Superman. In Part Two: The Joker’s first attempt to kill Superman fails when he is saved by the Batman, but the Joker manages to escape with half the kryptonite. Lex and Joker then realise that they’ll have to deal with both heroes. Superman is drawn away with a fake distress call while the Joker ambushes Batman with a Wayne-Lex T7 (a spider-like robot Bruce Wayne and Lex Luthor had been co-developing).

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Superman TAS: World’s Finest Part One

Screen Shots

Episode Credits

Cast

Superman/Clark Kent
Tim Daly
Lois Lane
Dana Delany
Batman/Bruce Wayne
Kevin Conroy
The Joker
Mark Hamill
Lex Luthor
Clancy Brown
Harley Quinn
Arkeen Sorkin
Mercy Graves
Lisa Edelstein
Commissioner Gordon
Bob Hastings
Detective Bullock
Robert Costanzo
Dan Turpin
Joseph Bologna
Alfred
Efrem Zimbalist Jr
Bibbo
Brad Garrett
Ceasar Carlini
John Capodice
Binko
Corey Burton
Female Terrorist
Shannon Kenny

Crew

Story
Alan Burnett and Paul Dini
Director
Toshihiko Masuda
Music
Michael McCuistion
Voice Director
Andrea Romano
Writer
Alan Burnett, Paul Dini, and Rich Fogel
Art Director
Glen Murakami
Animation Timing Director
Vincent Bassols
Storyboard
Nobuo Tomizawa, Toshihiko Masuda, and Takashi Kawaguchi
Character/Prop Design
Shijiro Nishimi, Glen Murakami, and Bruce Timm
Animation Services
TMS-Kyokuichi Corporation
Animation Director
Teiichi Takiguchi
Series Story Editor
Stan Berkowitz, Alan Burnett, Paul Dini, and Rich Fogel
Series Writer
Hilary J. Bader, Stan Berkowitz, Alan Burnett, Paul Dini, Rich Fogel, Steve Gerber, and Robert Goodman
Series Director
Hiroyuki Aoyama, Curt Geda, Kenji Hachizaki, Toshihiko Masuda, Dan Riba, and Yuichiro Yano
Producer
Alan Burnett, Paul Dini, and Bruce Timm
Associate Producer
Haven Alexander
Executive Producer
Jean MacCurdy

Quotes

Luthor: <chuckling> What makes you think you can kill Superman when you can’t even handle a mere mortal in a Halloween costume.
Joker: <menacingly> There is nothing mere about “Bat-mortal”.

Batman: <menacingly> Where’s the Joker?
Bingo: Who knows! Making Ha Ha with Harley Quinn! Urk. I don’t know. Honest! I never went back after he muscled in, I don’t want anything to do with that clown.
Superman: That’s enough. I think you got your answer.

Synopsis "World's Finest Part One"

It’s a dark and stormy night as an antiques shop owner closes up. A beautiful young-woman stops him from closing the door and tells him “Hang on their Clyde!” She’s Harley Quinn, the Joker’s girl, and this is Gotham City. Moments later the poor man is lying on the floor, convulsing with laughter from the Joker’s gas, and the Joker himself is prowling around the shop. He spies a very heavy carved statue, “the Laughing Dragon”, which he rips from its base and gives to Harley to carry.

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Two All-Star Superman videos

MTV have put up the first trailer for Dwayne McDuffie’s adaptation of Grant Morrison’s All-Star Superman as part of the DC Universe direct-to-DVD line.

The trailer is interesting and they obviously have tried to hit iconic beats from the series, but I’m not quite as excited about this one as I have been for some of the their other releases. If I think there is a single problem it is that the trailer makes it look rather similar to the Death of Superman – i.e. a Superman who dies – feature from a few years ago.

All-Star came about after a chance meeting between Superman and Grant Morrison. Grant and Mark Waid talk about their meeting him in this clip from Respect! Films and Sequart’s documentary Talking with Gods – a new documentary about Grant’s work.

The Age of TV Heroes

The Age of TV Heroes
By Jason Hofius and George Khoury – Published by TwoMorrows Publishing – ISBN 978-1-60549-010-6

The first thing to say about The Age of TV Heroes is damn!, that’s a nice cover. Alex Ross renders DC’s four iconic TV heroes – George Reeves (The Adventures of Superman), Adam West (Batman), Jackson Bostwick (SHAZAM), and Lynda Carter (Wonder Woman) – so brilliantly that I suspect it’ll be one of the major selling points for this book.

The remit of the book is very tightly focused – this is a book about live action television superheroes, specifically adaptations of comic book superheroes although a few other series get a mention in the extensive time-line that opens the book. Each subsequent chapter focuses on a particular significant character or property so Adam West’s Batman get’s his own chapter, but George Reeves and Dean Cain’s Supermen share a chapter. Interesting Superboy (The Adventures of Superboy and Smallville) is handled separately from Superman.

For reference the chapters are:

  1. A Comic Book-To-TV Hero Timeline
  2. Superman/Lois & Clark
  3. Batman
  4. Shazam!
  5. Wonder Woman
  6. Spider-Man
  7. Legends of the Superheroes
  8. Captain America
  9. Doctor Strange
  10. The Incredible Hulk
  11. Swamp Thing
  12. Superboy/Smallville
  13. The Flash
  14. Vampirella
  15. The Tick

Yes, you did read that right, there is a chapter on Legends of the Superheroes. There are also three “commercial breaks” focusing on the “TV Hero Movie Show Hosts”, “Salute to the Super Heroes” (the water ski show), and The Greatest American Hero. Some of these chapters are more interesting than others depending on your tastes.

The Age of TV Heroes is full-colour throughout and makes excellent use of contemporary photographs (publicity and candid) and occasionally comic-book artwork. Most of the chapters include quotes from interviews with one or more producers/actors from each show. The writers have also tried to shape the development and decline of each show into a narrative. Together this lifts the book above the usual bargain basement TV history books which are usually too cheap to get the creators’ help/input. That said the over all design of the book isn’t terribly consistent and bounces around from style-to-style each time you turn the page. Yet somehow this style does seem to strangely suit the TV superheroes.

Some of these shows have received more press that others. The pathos and tragedy surrounding The Adventures of Superman means that it’s hard to being much new to the topic. Nevertheless, that chapter does benefit with plenty of quotes from a Jack Larson (Jimmy Olsen) interview. The sections on the Legends of the Superheroes and the Salute to the Super Heroes are probably unique in covering these properties in-depth.

Gog (The Earth-0/Earth-22 Pretenders)

There have been three distinct humans who have claimed the name Gog. The first two were child survivors of very different tragedies in Kansas on separate parallel Earths. The first was a survivor of the Kansas Holocaust on Earth-22 that was precipitated by that world’s Magog. The second was a survivor of an alien attack on Topeka during the Imperiex War. Each of them began by worshipping Superman, but became disillusioned with him and came to see him as an anti-christ. Permutations of history have removed these men from existence, but  echoes of them remain in a third man who was driven insane as the harbinger of true Gog.

Gog I (Hypertime duplicate of Earth-22)

The disastrous events on Earth-22 were felt throughout the Multiverse. One potential future of Earth-22, beyond even the events of Kingdom Come, saw one of the few survivors of the Kansas Holocaust grow up to become Superman’s most devoted disciple. Minister William worshipped Superman as a saviour. He helped people in hospital, schooled them, and took on the duties of any good pastor. His faith was driven by the belief that Superman was a god who had sent the Kansas tragedy to test the world and to redeem it. William believed he was special because Superman had “spared him” from the tragedy. In a manner it was William’s way of dealing with the horrors he had seen and to try to give a meaning to the senseless deaths around him.

Eventually Clark Kent (who had left behind the Superman costume) was forced to explain to William that he wasn’t a god and that he really should do something else with his life. Matthew’s philosophy was shattered. He torched his church and stumbled through the streets asking people, begging people “Tell me what to  believe!” He was found by the Phantom Stranger who delivered a scroll from a council of cosmic beings called the Quintessence (Ganthet, Zeus, Shazam, and Highfather). The Quintessence gave him power and knowledge of time travel so that he could precipitate the Kansas Holocaust early thus allowing them to manipulate the course of history on Earth-22.

The power unhinged Matthew’s  mind and transformed him into the a demigod monster called Gog. He  murdered the Clark Kent that had just spoken to him and then travelled back in time to the previous day and killed him all over again. He repeat the process day and after day as he slowly worked his way back through time killing Supermen as he went (New Years Evil: Gog #1). Gog’s actions of killing younger and younger versions of Clark Kent should have ripped the time-line apart, but it exposed the existence of something previously unknown to the Linear Men (the guardians of Linear Time). A phenomena called Hypertime that allowed for the existence of multiple, contradictory realities. In essence Gog was jumping between a ladder of universes that were almost identical to Earth-22.

Gog rampaged across Hypertime killing consecutively earlier and earlier Supermen until he reached the Kingdom Come era of Earth-22 and discovered that this Superman had a child by Wonder Woman. Gog kidnapped the child and journeyed to Earth-0 where he hoped to recreate the Kansas Holocaust by killing Captain Atom. It took the joint efforts of the Supermen, Wonder Women and Batmen from both Earth-0 and Earth-22 with the help of Rip Hunter and the grown Jonathan Kent II (the kidnapped child) to stop Gog (The Kingdom #1-2).  Today the events of Gog’s rampage, and even his existence, appears to have been forgotten. The Infinite Crisis reordered the Multiverse and while Earth-22 still exists the Crisis did erased the duplicate Earth-22s whose Supermen Gog had killed.

Gog II (Earth-0, pre-Infinite Crisis)

A second Gog, this time one native to Earth-0 (the foundation Earth), was also the survivor of a tragedy in Kansas. But, this Gog was one of the survivors of the destruction of Topeka during the opening stages of the Imperiex War. He was saved by Superman who said he’d find the boy’s parents, but they were already dead. In the chaos and confusion it was the boy who found their bodies. The knowledge of his saviour and his inability to save his parents would haunt the boy for the rest of his life (Action Comics #813). As an adult he devoted his life to the study of time travel with the intention of saving the rest of his family who had been killed during the Imperiex War. It took him over thirty years, but he eventually discovered a method of time travel.

Cruelly he found that his method would only take him back a short distance in time, not even far enough back to save his parents. He made thousands of attempts over the next two hundred years, but all resulted in failure. Eventually his motivation changed from idolisation of Superman into hatred for his inability to save his parents. In search of revenge he rewrote his own history, imprinting on his child self a new compulsion – kill Superman! (Action Comics #825).

This Gog, or another version of him, appeared in Smallville to ambush Superboy (Conner Kent, a teenage clone of Superman) and his Teen Titan friends in a feint to draw Superman’s attention. Their battle tore through the historic centre of the town with Superman and Superboy drawing Gog’s fire while Kid Flash and Wonder Girl got the civilians to safety. Gog’s teleporting kept Superman and Superboy off-balance and they both took a pounding. Gog cut Superman with his trident and injected liquefied kryptonite into the wound. He then beat Superman until he believed he was dead and then vanished (Action Comics #815-816).

Next Gog recruited a mild-mannered repo-man called Jesse and turned him into a monster which fought the slowly weakening Superman (Action Comics #822-823). The Kryptonite poison caused Superman to become weaker and weaker. After fighting the Kandorian zealot Preus (another of Gog’s lieutenants) Superman was exhausted, but he was confronted by a legion of duplicated Gogs. The future Gog had used his time travel expertise to duplicate himself into an army (Action Comics #824).

Superman’s saviour that day came in the unlikely form of the monster that had once saved him. Doomsday, newly sentient, refused to allow anybody else to kill Superman and waded into Gog’s legions. Even after Gog appeared to capture Superman Doomsday remained in the field. It was inspired by Superman’s courage to mend its ways and to adopt Superman’s colours. Doomsday’s League of Superman battled the Army of Gogs in a single battle that ranged for a century. The prime Gog eventually grew weary and withdrew from the battle to amused himself by torturing his captive Superman. However, even that grew tiresome after two centuries.

Superman and Gog grew old together. For five hundred years the two white-haired enemies were locked in a seemingly eternal game of resolve – the shackled Superman and the inquisitional Gog. With his last breadth Superman shamed Gog and dispelled his hatred. A moment later Doomsday breached Gog’s defences. He could have killed Gog, but the old man convinced him that together they could undo the future they had created. They travelled back in time and undid the actions of their past selves, nullifying their own existence as history was over written (Action Comics #825).

Gog III (William Matthews, Earth-0, post-Infinite Crisis)

The history of Earth-0 healed itself and erased the multiple paradoxes created by the many Gog and Doomsday time duplicates. A Gog still existed, but he only had fractured memories of what had gone before.

The new Gog was William Matthews, an American missionary to Zaire who disappeared for several years after discovering an ancient temple buried deep in the Congo. Inside it he found the remains of the true Gog (a dormant Old God from the Third World which had come before New Gods’ Fourth World) Matthew’s took Gog’s name and staff and sought to kill the false gods who claimed to protect the Earth. Through Gog’s power Matthews glimpsed the Kansas Tragedy of Earth-22 and believed that only Gog could prevent it.  He claimed “I believe that the unification of good and evil will lead to the future. ” and sought to pave the way for the true Gog’s emergence. He used his new superpowers to attacked Superman before vanishing again (a retcon of the Action Comics plotline)

After being driven away by Superman Matthews began hunting super criminals who claimed to be gods or demigods. His murder of the Teen Titan’s villain Goth caught the attention of the new JSA. Starman tried to put out the fire caused by Goth’s death by creating a miniature black hole. In doing so he accidentally created a wormhole between Brooklyn on Earth-0 and the instability created by the explosion on Earth-22 that had killed the majority of its superhumans. The Superman of Earth-22 was pulled through the wormhole and arrived on Earth-0 without any knowledge of how the war on his Earth had ended (Justice Society of America (vol. 2) #9).

The Earth-22 Superman saw the JSA’s world as a Heaven where their efforts to reach out to the younger superheroes was in stark contrast to his own actions on Earth-22. He believed his world had been destroyed and tried to make a place for himself with the JSA (Justice Society of America (vol. 2) #10). Mister America was brought in by the FBI to investigate Gog’s murders. The media had called him the “Heartbreak Slayer”, but Mister America eventually discovered the name of the real killer. The Earth-22 Superman instantly recognised the similarity of the name with his own Magog. His suspicions were confirmed when he and the Earth-0 Superman saved Hercules from Gog’s attack (Justice Society of America (vol. 2) #13).

The Earth-22 Superman and the JSA tracked Matthews/Gog to the Congo, but he attacked them in their headquarters before they could mobilise. The JSA fought the crazed Matthews back to the Gog Temple in the Congo. They watched as Matthews dissolved into energy and was absorbed by a giant Gog head.

Seconds later the head came to life and ripped itself and its body out of the ground. The now awake golden giant told the stunned JSA “People of Earth. I come in pease.” (Justice Society of America vol. 2 #10-15, “Thy Kindgom Come”).

Each of the three human Gogs were driven to an almost insane hatred of Superman by the power they possessed. Yet none of them except Matthew Williams even suspected the true origins of the their name or knew of the entity that had inspired them.

Next: The true Gog.

Justice League of America (vol. 2) #0

Quotes

Superman (about Batman): In all our time working together it was the first time I saw Bruce scared. It wasn’t the aliens. Or the diamonds. Or even the Mach 6. It was just the simple and unavoidable realization that there were bigger things on the planet than him. And that’s what terrified Batman. [...] But as he’s done every day since he was eight years old, instead of being ruined by his darkest and most ruthless fears he embraces them.

Wonder Woman: So we’re on again? Once every year?
Batman: That’s fine, Diana. But I think we can do better than that. And maybe even invite a few friends along in the process.
Wonder Woman: Did you just say friends?
Batman: I meant teammates.
Superman: We know what you meant, Bruce.

Issue Credits

Writer
Brad Meltzer
Artist
Eric Wight (pgs 1-4), Dick Giordano (pg 5), Tony Harris (pg 6), George Perez (pg 7), J.H. Williams III (pg 8.), Gene Ha (pg 10), Rags Morales (pg 11), Ethan Van Sciver (pg 12), Kevin Maguire (pg 13), Adam Kubert (pg 14), and Jim Lee (pg 16)
Penciller
Luke McDonnell (pg 9), Dan Jurgens (pg 15), Howard Porter (pg 17), Andy Kubert (pg 18), Phil Jimenez (pg 19), and Ed Benes (pgs 20-24)
Inker
Paul Neary (pg 9), Kevin Nowlan (pg 15), Dexter Vines (pg 17), Jesse Delperdang (pg 18), Andy Lanning (pg 19), and Sandra Hope (pg 20-24)
Colourist
Alex Sinclair
Letterer
Rob Leigh
Assistant Editor
Jeanine Schaefer
Editor
Eddie Berganza
Cover Artist
Michael Turner and Peter Steigerwald
Variant Cover Penciller
J. Scott Campbell
Variant Cover Inker
Sandra Hope
Variant Cover Colourist
Edgar Delgado

Synopsis "Yesterday, Today, Tomorrow"

The trinity of Superman, Batman, and Wonder Woman, like other groups of Leaguers, have always met independently of the monthly Justice League meetings. Since their first loss (the Red Tornado against the Nebula Man) they’ve met annually to discuss the state of the Justice League.

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Superman TAS: Tools of the Trade

Screen Shots

Episode Credits

Cast

Superman/Clark Kent
Tim Daly
Lois Lane
Dana Delany
Kanto
Michael York
Angela Chen
Lauren Tom
Bruno Mannheim
Bruce Weitz
Maggier Sawyer
Joanna Cassidy
Dan Turpin
Joseph Bologna
Darkseid
Michael Ironside
Al
Kevin Michael Richardson (as Kevin M. Richardson)
Blaine
Phil Hayes

Crew

Writer
Mark Evanier
Director
Curt Geda
Music
Kristopher Carter
Voice Director
Andrea Romano
Art Director
Glen Murakami
Animation Timing Director
Thomas McLaughlin Jr. and James Tim Walker
Storyboard
Sharon Bridgeman, Ronaldo, Peter Ferk, and Curt Geda
Character/Prop Design
Shane Glines, Dexter Smith, Tommy Tejeda, Bruce Timm, Marcos E. Borregales, Jonathan Fisher, and Robert Fletcher
Animation Services
Koko Enterprise Co. Ltd. and Dong Yang Animation Co. Ltd.
Animation Director
Ko Jae Bong
Series Story Editor
Stan Berkowitz, Alan Burnett, and Paul Dini
Series Writer
Hilary J. Bader, Stan Berkowitz, Alan Burnett, Paul Dini, and Robert Goodman
Series Director
Hiroyuki Aoyama, Curt Geda, Kenji Hachizaki, Toshihiko Masuda, Dan Riba, and Yuichiro Yano
Producer
Alan Burnett, Paul Dini, and Bruce Timm
Associate Producer
Haven Alexander
Executive Producer
Jean MacCurdy

Quotes

Dan Turpin: Whoever it is you can bet my Aunt Patty’s pension that they’ll be going down real soon.
Angela Chen: Translation, you expect Superman to drop them in your lap like he always does.
Dan Turpin: What are you saying?
Angela Chen: What I’m saying is that your highly paid department can’t seem to bust a jaywalker without old-blue boy. [Chuckles from the other journalists]

Mannheim: Okay, I want ‘em. What’s your boss want in return?
Kanto: Nothing, for now.
Mannheim: It’s my experience that nothing can get very expensive.

Turpin: All I know is that that tank had Mannheim’s ugly mits all over it and that this department is going to collar that dog if I have to grab a leash and drag him in myself.

Synopsis "Tools of the Trade"

The peace of a sunny day in Metropolis is shattered when a massive armoured tank starts shelling the Metropolis Gold Exchange. Dan “Terrible” Turpin and Maggie Sawyer of the Special Crimes Unit (SCU) arrive on the scene, but the tank trashes their car and is impervious to their small arms fire. Lois Lane leaves Clark Kent stuck in traffic and runs to the scene on foot. Clark follows her as Superman and hauls the tank out of the Exchange. He lifts it up to roof left and drops it. Then he rips the tank’s hatch off and confronts the stunned operators. The SCU breathe a sign of relief that the tank’s been stopped, but Turpin reacts angrily when TV reporter Angela Chen implies that they were just waiting for Superman to deliver the crooks to them.

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