Red Arrow

Young Justice: Infiltrator

Screen Shots

Episode Credits

Cast

Artemis
Stephanie Lemelin
Robin
Jesse McCartney
Miss Martian
Danica McKellar
Superboy
Nolan North
Aqualad
Khary Payton
Kid Flash
Jason Spisak
Professor Ojo
Nolan North
L-2
Oded Fehr
Cheshire
Kelly Hu
Sterling Roquette
Tara Strong
Green Arrow
Alan Tudyk
Sensei
Keone Young

Crew

Writer
Jon Weisman
Director
Jay Oliva
Music
Kristopher Carter, Michael McCuistion, and Lolita Ritmanis
Voice Director
Jamie Thomason
Animation Director
Jin-Hae Lee and Jae-Bum Lee
Animation Timing Director
James Tim Walker
Character Design
Dusty Abell and Jerome Moore
Storyboard
Jay Baker, Tim Divar, and Phil Langone
Animation Services
MOI Animation Inc.
Lead Character Designer
Phil Bourassa
Prop Design
Alexander Kubalsky
Line Producer
David Wilcox
Producer
Brandon Vietti and Greg Weisman
Executive Producer
Sam Register

Quotes

Sterling: So what do you call this, the Arrow Boat?
Red Arrow: I call it a rental.

Artemis: [after being telepathically linked by Miss Martian] This is weird!
Sterling: And distracting. Coding a distributed algorithm virus on a kiddie computer with less RAM than a wrist watch is hard enough. Now I have to have teen-think in my skull!!

Aqualad: Stop it – both of you!
Kid Flash & Artemis: WHAT?
Aqualad: I can hear you glaring.

Synopsis "Infiltrator"

Previously: Speedy had stormed out of the Hall of Justice after the induction of Aqualad, Kid Flash, Robin, and himself into the Justice League was revealed to be less than he expected (“Independence Day”). The other three, along with Miss Martian and Superboy, later formed a new group under Batman’s direction. However, Speedy was dismissive and refused to have anything to do with them (“Welcome to Happy Harbor”). Nevertheless, Amazo’s attack on Kid Flash was stopped by an arrow fired by an unknown ally (“Schooled”).

August 7th - It is dark as Red Arrow (the sidekick formerly known as Speedy) sneaks into the League of Shadow’s heavily guarded base on Infinity Island. He takes out masked gunmen and security cameras until he reaches the workshop of Dr Sterling Roquette – a young scientist who is being held prisoner on the Island until she finishes her secret project. Roquette is worried about leaving her work behind, but Red Arrow says he only has time to save her or her work, not both. She decides to leave with him and they escape down a zip line to a camouflaged speedboat he left by the shore. Behind them Professor Ojo tells his master, the Sensei, that she had completed her project.

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Justice League of America (vol. 2) #1

Quotes

Kathy Sutton: I’ve been through this seven time since I first met him. Seven. People think it gets easier. They’re wrong. It always take a bit to collect the pieces. And even when there’s no League, the League does it. Hal helped this time. Last time it was Bruce. As a favor, we asked Magnus to put him together. He didn’t hesitate. He, of all people understands.

Vixen: I feel the birds first. Seagulls and terns. Danger’s coming. Then I feel the tiger. Anger overwhelms me. The place looks empty. Looks aren’t everything. They’re already here. Lion.

Credits

Writer
Brad Meltzer
Penciller
Ed Benes
Inker
Sandra Hope and Mariah Benes (special thanks given to)
Colourist
Alex Sinclair
Letterer
Rob Leigh
Assistant Editor
Jeanine Schafer
Editor
Eddie Berganza
Cover Penciller
Ed Benes
Cover Inker
Mariah Benes
Cover Colourist
Alex Sinclair
Variant Cover Penciller
Michael Turner
Variant Cover Colourist
Peter Stiegerwald

Synopsis "The Tornado's Path - Chapter One: Life"

The Justice League has been out of action for over a year ever since it disintegrated during the Infinite Crisis. Superman, Batman, and Wonder Woman have even been through their own soul searching and have come together to in the Batcave to plan the League’s reformation.

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Rise of Arsenal #1 the process

Geraldo Borges has posted to his blog images that show the entire art process for a single page of Justice League: Rise of Arsenal #1. It starts with J.T. Krul‘s script, from that Borges creates layouts, loose pencils used to design the pattern of panels and to block out the page, …

…based on the decisions made at the layouts stage he creates finished, detailed pencils of each panel…

Geraldo’s pencils are then handed over to inker Marlo Alquiza who faithful renders the pencils down as a black line suitable for printing…

The inked pages are then coloured by Hi-Fi Design and the speech is lettered by Rob Clark Jr.

The end results ends up as page 5 of Rise of Arsenal #1 – a “flash back” to events that happened “off-camera” in Cry For Justice. I’ve only shown a single-panel, but Borges’ blog has the entire page. He also shows the same process for his work on R.E.B.E.L.S. and other comics.

Rise And Fall covers and writer podcast

Amid the fuss over the return of Justice League International there were announcements yesterday about the Rise and Fall event that spins out of Cry For Justice. We’d see some of the variant covers from March’s four linked books, but DC’s Source has now put out the full linked scene from artist Mike Mayhew.

Wordballoon’s John Siuntres talks to JT Krul, the Rise and Fall writer, is a 90 minute podcast. Krul describes how he got into comics and about working with his old-friend Geoff Johns on the Blackest Night: Titans mini-series. He also comments on how the drama of BN allows the writer to push character development forward. He talks extensively about the Rise and All event.

Justice League: Cry For Justice #5

Issue Credits

Writer
James Robinson
Artist
Mauro Cascioli and Scott Clark (pages 12-17 and 20-21)
Letterer
Steve Wands
Associate Editor
Adam Schlagman
Editor
Eddie Berganza
Cover Artist
Mauro Cascioli

Synopsis "The Lie"

So far in Cry For Justice separate small groups of heroes have become aware that the villain Prometheus is preparing some unspecified, yet dastardly revenge plan against all superheroes. He has coerced a score of super villains to do his bidding and there have been fatalities on each side. This issue makes the point where the separate group opposing Prometheus come together for the first time.

This issue opens with Donna Troy and Starfire (Kory) relaxing in their swim suits around Buddy (Animal Man) Baker’s swimming pool as Congorilla (Bill) and Starman (Mikaal) come calling. Buddy, Kory, and Donna agree to help Mikaal and Bill once they convince them that they no longer want to murder Prometheus. The Shade has approached the original Flash (Jay Garrick) in his home to tell him that Prometheus is deliberately distracting heroes with his stream of attacks.

Meanwhile, Hal Jordan’s JLA splinter group has, at the suggestion of Captain Marvel (Freddy Freeman), turned to the main JLA group for help in combating Prometheus. Black Canary is initially hostile to their approach, but Freddy and Hawkman (Carter Hall) smooth things over. Hal explains that Prometheus is organising something big. He’s been forcing villains to attack heroes that they wouldn’t normally fight. As if to illustrate his explanation, Batwoman contacts the Watchtower to say that she just fought Endless Winter, but the villainess was killed by Prometheus before she could talk. Firestorm is sent to Gotham to pick up the body.

Winter is an old character turned into a relatively recent, but rather unpleasant JSA foe. Delores Winters was a 1940s movie star until the Ultra-Humanite stole her body, but he saved her brain and it was transplanted into her daughter’s body. She later gained super powers by literally stealing the second Ice Maiden’s skin (the blue one, Sigrid not Tora).

The Atom’s analysis of Winter’s corpse shows that Prometheus is using Suicide Squad technology to enforce his allies compliance. Another call comes through and the Guardian transfers to the Watchtower with a device that had been left by Plunder (a mirror universe version of a detective from Central City) in Metropolis. Analysis of it by Will Magnus and his colleagues shows that it a prototype teleportation device that has amalgamated several different technologies. It could theoretically send an entire city anywhere in time, space, or dimension, but it requires an immense amount of power and computer control.

Just then Animal Man, Donna, Kory, Mikaal, and Congorilla arrive to compare notes on Prometheus. Before anybody can say anything Congorilla bounds off down the corridor. Red Arrow had left to pick up his daughter and Supergirl had gone to find Freddy who had also wandered off. Congorilla rushes past Supergirl as he follows a bloody trail. They are shocked to find Roy with his right arm torn off. Supergirl cauterizes his wound with her heat vision, but they’re attacked before they can investigate further. Congorilla’s cry brings the rest of the assembled heroes running. Green Arrow is shocked to find his unconscious son, but is determined to find the person responsible. Doctor Light and Animal Man rush off to check the security cameras. Elsewhere, Captain Marvel and Supergirl square off beside the unconscious bodies of Congorilla and the Flash.

This issue is odd. It’s really the last phase of bringing the band together – assembling all the heroes on the JLA Watchtower – but, they don’t do anything except talk and argue. Every plot development (Batwoman, the Guardian, etc) comes to them. I really want to like this issue, but you can help wishing that Prometheus would just get on with whatever it is that Robinson and co have built towards.

The further we get into this series the more I’m conflicted about Mauro Cascioli’s art. Yes, it does look great, but some of the artistic choices Robinson/Cascioli make are odd. The biggest example is the amount of cheese cake in this issue – from the obvious pool scene with Kory and Donna, to the Batwoman/Winter Fight, and the endless odd angles on Supergirl. There is one particular panel (the splash on pages 12 and 13) where Supergirl looks impossibly thin. This isn’t too dissimilar to what Ed Benes use to get up to, but it really isn’t necessary in a serious story.

Hal references that they’ve been running around hunting criminals for several weeks and Black Canary says she disbanded her League. Both of those would imply that this story take place parallel to or after Len Wein’s recent JLA arc. Yet the JLA present on the Watchtower when Hal’s group teleports in is quite random. Why are Canary, Roy, Hawkman, and Hawkgirl just hanging around when they’re not currently members. There is also the issue of randomly appearing heroes. Firestorm and Doctor Light just pop up to say “I’ll handle that” without it previously being established that they’re on the Watchtower. The same happens to the Flash on the last page. He’s shown unconscious next to Congorilla without it being established how, when, or why he’s on the Watchtower.

When I first read this story I understood that it was Freddy Freeman who had attacked Roy, Congorilla, Flash, and that it was Supergirl who was heroically confronting him. However, now I’m not so sure. Could it be that Kara, or somebody impersonating her, is really the mole?

The Verdict

Stars
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TypeSiteReviewerRatingEquivalent
Grand Average 63.3%
Reviews Portal Comic Book Resources Timothy Callahan 3/5
Community Reviews Comics Vine User Reviews Av. of 1 reviews 3/5
Community Reviews iFanboy 380 Pulls 3.6/5
Character Site Supergirl Comic Book Commentary Anj B
Character Site Superman Homepage Michael Bailey 4 (story) & 4 (art)/5
Reviews Blog Comic Book Bin Koppy McFad 6.5/10
Reviews Blog A Comic Book Blog Wayland 65/100
Reviews Blog Comics Per Day Reviews Timbotron Average
Character Site Captain's Justice League Homepage Jason Kirk 3/5

Lots of JLA news quotes harking forward to 2010

In these last few days before Christmas there have been a few quotes about the Justice League and what 2010 has in store for them. Dan Didio addresses a number of JLA topics while speaking with Newsarama,  the JLA movie producer has commented on WB’s evolving strategy, and Mattel has announced that their JLU line will continue.

Justice League Mortal

The most widely discussed/re-tweeted story has been from Dan Lin, the producer of the in-stasis Justice League Mortal. Lin is also the producer of the current Sherlock Holmes film and Collider.com has had a running seven-part interview within him. During that interview Steve Weintraub for Collider asked Lim about JL Mortal.

Collider: You’re listed [as producer] also for Justice League Mortal.

Dan Lin: It’s the dream project.

Collider: Right, that’s why I’m sort of saving it. It’s like the punch at the end.

Dan Lin: Yeah. I mean it’s… I’ll say it’s the reason I started my company. You know, I thought that was the ultimate project. I was a fan-boy for me to work with all those characters together on a team and kind of the themes of that movie. That’s my dream. It’s on-hold right now as DC sorts out its strategy but as you’ve talked to Alan Horn and Jeff Robinov it seems like they’re building to Justice League instead of going with the team movie first and doing individual movies after that.

Collider: [...] are there certain superhero movies that you are interested in bringing to the screen….because I know they did a whole shakeup at Warner Brothers with people letting go of projects and other people coming onboard.

Dan Lin: Right. The only one right now as you probably know, they’re unveiling their DC strategy in January so you’ll hear more about that and they’ll speak about that in the new year. The only other one besides Justice League that I’m working on is the Suicide Squad.

This specific strategy shake-up had been mentioned by Charles Rovin, a director who had been linked with a potential Flash film. However, this is the first time that we’ve got a date for the announcement of the results.

The 1980s Justice League

Over at Newsarama Dan Didio, DC executive editor, is holding an end of year twenty-questions session. In the third installment, it was suggested that the 1980s JLA wasn’t doing to well out of the current DC Universe.

There is a lot of dicussion about if the 1980s Justice League had a target on their backs. I’m happy to tell you Bifford [the questioner] that the 80s JLA group is going to be back, and be back with a vengeance in 2010.

No clue about what that means, but the reference to a “target on their backs” makes it implicit that he’s talking about the Booster Gold and Blue Beetle Justice League. Over at Blog @ Newsarama Russ runs a bit of a conspiracy theory about this quote and DCU recent events.

Roy Harper's Injury in Cry for Justice.

In the same round of questions Didio was asked “what makes the maiming of red arrow significant when has friends who are capable of replacing his arm?” To which the answer was,

I really want to be very clear about this, this story is not just about replacing it with a cybernetic arm, if that is how the story turns out. And this is one of those cases where I want to remind people to read the story as it develops. There is so much emotion depth that is going on here. Roy is an archer first and foremost. To [..] lose his arm, his ability to do what he does best, is what really leaves the emotional scar on him, not the idea that he can replace it simply, but more importantly that he’s lost a part of himself, the part of him he considered the most valuable, that helped define him as a person. That’s what we’re going see develop.

Roy’s arc in the Justice League has been about stepping into the role of Red Arrow, in succeeding to his father’s place in the Justice League. He was already knock-backed by his break up with Kendra so this really does look like the lowest ebb for Roy – maybe even lower than his old drug habit.

The Price of the Justice League comic book

In the final round of questions Dan Didio was asked directly how DC could justify raising the price of JLA when the sales had declined.

[Pauses] Price increase is only the answer when we improve quality and quantity. We’ve been saying this a lot over the last couple of months, especially with so many people being price sensitive at the moment, but I wanted to reiterate it with this question. A 3.99 price point is something that is on books that have greater than the standard number of pages and will continue to be so. We will continue to hold the 2.99 price point as much as possible, but if we feel that the story warrants extra pages then unfortunately the price will increase with that, but hopefully you will get the feeling of value in that book.

With Justice League: so much that is going on with Justice League, with the fall of Green Arrow and the rise of Arsenal Justice League, will be playing prominently into that storyline. A lot of focus is on the team and how its being built there is a lot of focus on JLA throughout 2010.

Mattel JLU figures to continue in 2010

Miraculously Mattel’s of Justice League Unlimited figures are still running – over three years after the cartoon itself finished. On their Facebook Blog Mattel confirmed that the line will be continuing at Target,

JLU is going to continue in Spring 2010 at Target stores. We’ll have some new figures to reveal at Toy Fair in NY at out collector event on Feb. 14th. Stay tuned!

[...]

And as stated above, JLU will still be at Target stores in 2010. We have some great singles, 3 packs and 6 packs in store including many more fan demanded character, a return to Apokolips and a few out of the blue surprises we think JLU fans are going to love!

Superhero Times has the full quote.

JLA Solicitations for March 2010

March 2010 appears to be Green Arrow and the JLA month with four-linked issues that spin-out of Cry For Justice and the events there-in. We’ve already covered their announcement, but DC has now released the solicitation details for those issues. It kicks off on March 10th with the Rise and Fall Special by James Robinson and J.T. Krul. Krul then follows that with Green Arrow #31 the following week (March 17th) and the start of the Justice League: The Rise of Arsenal the week after that (March 24th). Then at the end of the month James Robinson wraps up his first JLA arc and deals the implications of The Rise and Fall from the League’s side. Each of the four issues has a 1-in-25 variant cover created by Justice League: The Rise and Fall Special #1 artist Mike Mayhew.

Spoilers below…

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Krul to bridge Cry For Justice and JLA

J.T. Krul, current writer ot the Titans and Titans/Teen Titans Blackest Night chapters, has been recruited by DC Comics to write a special Justice League: The Rise and Fall issue (drawn by Matt Mayhew) that bridges the gap between Cry For Justice and the post-Blackest Night issues of Justice League of America. As announced by the DC Source blog,

What happens when a hero has a fateful decision to make? And how can another hero rebuild his world after a life-altering tragedy?

Both ideas are explored in two special books hitting in March, both written by J.T. Krul: JUSTICE LEAGUE: THE RISE AND FALL #1, which bridges the gap between JUSTICE LEAGUE: CRY FOR JUSTICE, JUSTICE LEAGUE OF AMERICA  and the upcoming JUSTICE LEAGUE: THE RISE OF ARSENAL four-issue mini-series. Concurrently, readers of the ongoing GREEN ARROW series will deal with the fallout in a storyline titled “The Fall of Green Arrow,” starting with issue #31.

Readers of Cry For Justice will know what event has happened to Green Arrow and Red Arrow, but I won’t spoil it here.

Krul talked to IGN about his new assignment and how it fits into the bigger picture:

IGN Comics: The one-shot is called Justice League: The Rise and Fall. There’s a lot going on with the Justice League property between Cry for Justice and James Robinson’s run on the regular JLA ongoing. Where and how exactly will your one-shot fit in regards to Robinson’s two JLA projects? Is there interplay between the three at all?

Krul: It will play directly into everything because James is involved in all of this as well. As we’re working on it, we may have other writers do certain portions of it so it’s more of a collective issue, if you will. But absolutely it will play into everything, because as you’ve seen in Cry for Justice, the whole story has been about this ethical rift between members of the Justice League on the tactics they take. “Are we a proactive team or a reactive team?” We’re taking those elements, and then the rest of the series amps it up and does kind of create this ripple effect that will be felt throughout the one-shot and into the Green Arrow and Arsenal stories.

As well as the single Rise and Fall issue, Krul will also be writing a mini-series called Justice League: The Rise of Arsenal and a Green Arrow arc called the Fall of Green Arrow that expand on the particular topics surround Roy Harper and Oliver Queen.