Brave and the Bold (vol. 1) #28

BB #28 – The Editor: Julius Schwartz

Julius Schwartz by Carmine Infantino (from the cover of Alter Ego #38)

  • First Appearance: All-American Comics #58, Flash Comics #54, Sensation Comics #39 (all June 1944)
  • Occupation: Literary agent, comic book editor, DC Comics good will ambassador
  • Claim to fame: First literary agent specialising in science fiction, being Julius Schwartz
  • Creator of: Editor & co-creator/co-plotter of the DC Silver Age characters (Adam Stranger, Hal Jordan, Barry Allen, Ray Palmer, etc)
  • Homages: Memorial lecture series, “The Schwartz” – the force behind everything in Mel Brooks’ Spaceballs, Zardeth in Adam Strange

Julius Schwartz’s autobiography is aptly titled Man of Two Worlds as he moved in two rather different, but intimately connected worlds. The Earth-2 Julie was a pivotal figure in early science fiction fandom – he collaborated on the first fanzine, convention, literary agency, you name it. The Earth-1 Julie was the man who helmed the 1960s revivals at DC Comics and is thus single handily responsible for comics’s Silver Age.
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BB #28 – The regular inker

There were three inkers who worked upon the first appearance of the Justice League in Brave and the Bold #28 – Bernard Sachs, Joe Giella, and Murphy Anderson. Anderson and Giella inked the Flash and Green Lantern chapters, but it was Sachs who inked the rest of the book and was the inker on the regular series.

Bernard Sachs

  • First Appearance: Silver Streak Comics #11 (June 1941)
  • Occupation: Inker of comic books, advertising animator
  • Claim to fame: Last JSA inker, first JLA inker.
  • Creator of: Inked the first appearances of Adam Strange and the Justice League
  • Homage: The source of the most expensive Roy Lichtenstein swipe ever sold.

Bernard Sachs has the distinction of being the last inker on the Justice Society’s original run and the first inker of the new Justice League. He was a prolific inker who brought a polished and clean, if not particularly dramatic, line to his work.

Early Comics Work

Cover to Airboy Comics #10 drawn and inked by Sachs.

Bernard Sachs was one of the legion of early comic book professionals who toiled away to produce our pop-art masterpieces, but of whom we know very little personal information. He may have been born in 1921 [1]. Julius Schwartz mentions visiting with Sachs and his wife Bernice who lived nearby to him [2]. He eventually left the field in the mid-1960s for an animation job with a large advertising agency before retiring in 1986 [3]. He passed away in 1998 [3].

Like his personal background, Bernard Sachs’ early comic book credits can be fragmentary, but the first work by him listed in the GCD is as a penciller on the “Dan Dearborn” feature in Lev Gleason’s Silver Streak Comics #11 (June 1941). He then pencils the “Espionage for X” feature in Quality’s Smash Comics #43-48 and #50 (June 1943 to Feb 1944). He reappears in 1946/47 on various features in various volumes of Airboy Comics for Hillman Comics either on his own or, quite often, inking the work of penciller Arthur Peddy on the “Heap”.

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BB #28 – The Myth of the Fantastic Four

The myth of the "most expensive gold game" in comic's history.

Brave and the Bold (vol. 1) #28 (Feb-March 1960) was the seminal comic which really sealed the genesis of the DC Comics Silver Age – the end of the beginning if you will. Yet, as the story goes, it was also the beginning of Marvel’s renaissance. There had been a slew of attempts to regenerate superheroes during the 1950s and Marvel had had their own attempt, which was one of the earliest, with a set of titles that included the Human Torch and Captain America. However, that like the others, didn’t stick.

How it may have looked... (credit: Waterloo Library)

The legend goes that one of the owners of DC Comics was playing a game of golf with Marvel Comics owner Martin Goodman. At this time DC Comics was owned by the same people who owned the company that distributed both DC and Marvel so they really had Marvel over a barrel. The DC executive made the mistake of boasting to Goodman that they had this new title called the Justice League of America which starred all their biggest characters and was selling amazingly well. (You could really imagine the smug DC guy really thinking he’s lording it over this wannabe competitor.)

The end result of that golf game was a title called The Fantastic Four. We’ll come back to them later. But, lets stick with the myth for a little while longer.

That Game of Golf...

A court case between the heirs of Jack Kirby and Marvel Comics over the issue of Kirby’s ownership of the characters that he co-created at Marvel has recently finished. It’s an emotive subject for fans and historians, but in the cold light of a court room Kirby’s contributions were – like almost all comic creators working at Marvel or DC – owned by the company.

So the Court Case was a loss, but it was a goldmine for anybody interested in the facts pertaining to these events. Indeed in the Final Judgement on the case, in a section titled “Undisputed Facts”, the judge states that:

In 1961, Goodman told Lee to create a new team of superheroes to complete with “The Justice League of America,” which was published by National Comics.

So Goodman’s instructions are legal fact. Why he gave that instruction is more subjective. In his deposition to the Court Stan Lee described this situation in more detail:

In the 60s, the ideas for the new characters originated with me because that was my responsibility. And what would happen is the publisher, Martin Goodman, for example, with the Fantastic Four, he called me into his office one day. And he said, “I understand that National Comics,” which later changed its name to DC, “but I understand that National Comics has a book called The Justice League. And it’s selling very well. I want you to come up with a team of superheroes. Let’s do something like that.”

There was no mention of that golf game. However, Roy Thomas remembered hearing the golf story from Stan after starting work at Marvel in the mid-1960s (Alter Ego #43) and Stan published the anecdote in his 1974 Origins of Marvel Comics.

At the 1996 Chicago Comic Con Stan was roasted by various colleagues and former competitors. And the golf game anecdote gets repeated by Roy Thomas, and more importantly by Julius Schwartz! In his speech and in his autobiography Julie states that its Jack Liebowitz who was the DC exec involved. (DC, in the early 1960s, was co-owned by three men and their wives and family members – Harry Donenfeld, Jack Liebowitz, and Paul Sampliner. Harry died in the early 1960s and was succeeded by his son Irwin Donenfeld.)

Paul Levitz’s own account appears in the massive DC 75th Anniversary book he wrote. He labels the event “The most expensive game of golf in comics”, but continues Julie and Stan’s pattern of saying that the executive was Jack Liebowitz. However, during the Marvel/Kirby trial Mark Evanier, a close associate of Kirby, relates that Liebowitz denied that he was involved with the game. Likewise Irwin Donenfeld when explicitly asked in Alter Ego #26 about the game also denied he was involved.

The closest we get to the truth may be from film producer Micahel Uslan – who has once been the equivalent of an intern at DC. He remembers Sol Harrison (DC’s art director and later President) telling him the anecdote. He wrote into Alter Ego #43 with the version of events that he hard heard:

But the way I heard the story from Sol [Harrison] was that Goodman was playing one of the heads of Independent News [I.N.], not DC Comics (though DC owned Independent News). I don’t recall the head honocho’s name… Paul Levitz knows it. As the distributor of DC Comics, this man certainly knew all the sales figures and was in the best position to tell this tidbit to Goodman. Now, why would Goodman be playing golf with the head of Independent News? I.N. was distributing “Marvel” then, as well as DC, under a “take it or leave it” arrangement that severely limited the number of comics Goodman could publish monthly. Of course, Goodman would want to be playing gold with this fellow and be in his good graces. It would absolutely be in the best interests of his business. In addition, I understand that I.N. was well known for its golf outings back then.

Anyway, that’s the way it was told to me. Sol worked closely with Independent News’ top management over the decades and would have gotten this story straight from the horse’s mouth.

Independent News was co-owned by the same people – more or less – as DC Comics. If it wasn’t Liebowitz or Donenfeld at the game then it may well have been Paul Sampliner. He was the President of Independent News at the time, but wasn’t involved in the creative side of things at DC. Comics historian Sean Kleefeld is about the only person who has written about Sampliner and says that his money is on Sampliner being the subject of the golf anecdote.

Further, if circumstantial evidence, of the Sampliner link comes from the fact that Martin Goodman once worked for Sampliner at the distributor he ran prior to setting up Independent News. The comics industry is actually quite small and these sort of connections are common, but it at least establishes that these men had known each other for 20-30 years by the time of the golf episode.

The Fantastic Four

Now we have to admit that the existence of this golf game is a standard bit of comic book legend and mythology. Its existence is very plausible. Nevertheless, somehow, via this game of golf or not, news of the JLA’s success got back to Martin Goodman.

Stan 'The Man' Lee (even DC fan's know who this guy is).

At this point in the early 1960s Stan Lee, who was Goodman’s chief editor (and his wife’s cousin, another of those small industry links), was on the verge of quitting comics. So one day Stan goes into work intending to hand in his notice, but he never gets that far. Goodman is fired-up with an “anything you can do, we can do better” energy and orders Lee to copy DC’s strategy. Stan told Roy Thomas in an interview (Comic Book Artist Collection #1) that:

I was really so bored and really too old to be doing these stupid comic books; I wanted to quit. I was also frustrated because I wanted to do comic books that were – even through this seems like a contradiction in terms – I wanted to do a more realistic fantasy. Martin wouldn’t let me and had wanted the stories done the way they had always been done, with very young children in mind. That was it.

My wife Joan said to me “You know, Stan, if they asked you to do a new book about a new group of super-heroes, why don’t you do ‘em the way that you feel you’d like to do a book? If you want to quite anyway, the worst that could happen is that he’ll fire you, and so what? You want to quit.” I figured, hey, maybe she’s right. That’s why I didn’t want to do the Torch or the Sub-Mariner; I wanted to create a new group and do them the way I had always wanted to do a comic book.

To Stan Lee’s eternal credit he did just what he wanted to do and didn’t do exactly what Goodman was thinking of – a simple photocopy of the JLA. He pulled in Marvel artist Jack Kirby, who had worked for DC during the 1950s. (It’s can be entirely coincidence that one of the properties that Kirby created for DC was the Challengers of the Unknown, a quartet of characters who survived a disaster and become adventurers investigating the strange and monstrous. There must have been something in the air.) Lee and Kirby melded their ideas of the quartet with character concepts pulled from some of Marvel’s Golden Age books and launched the Fantastic Four in Fantastic Four #1 (Nov 1961) – exactly a year after Justice League of America #1 appeared.

Fantastic Four #1 (Nov 1961; art: Jack Kirby)

Stan also told Roy that:

If Martin hadn’t come in to me and said, “Liebowitz said the Justice League is selling well, so why don’t we do a comic book about super-heroes?” – if he hadn’t said that to me, I might’ve – in the next day or two, I might’ve just quit.

Ergo no Justice League means no Silver Age Marvel and no Silver Age Stan Lee. At least that’s the legend.

Brave and the Bold (vol. 1) #28 – The Artist

Characterture of Mike Sekowsky from Secret of the Comics

  • First Appearance: All-Winner Comics #3 (Winter 1941-1942)
  • Occupation: Comic book artist, writer and editor, animation artist
  • Claim to fame: Being faster than Jack Kirby
  • Creator of: Adam Strange, originated the mod-Diana Prince version of Wonder Woman.

Mike Sekowsky was the youngest of the collaborators on Brave and the Bold #28. His first work was for Timely/Marvel in the 1940s and he became one of the mainstays of the 1950s and 60s romance comics. Mark Evanier described Sekowksy as the “man who could draw anything-and usually, overnight” [2]. He was the guy you turned to when a feature was facing deadline problems.

When I wrote the Gardner Fox sketch I found a wealth of details about his career, but every little about his character. Almost everybody agreed he was a very nice man, but there isn’t much more colour than that. His collaborator on the Justice League, artist Mike Sekowsky, is almost the complete opposite. Reading interviews about Sekowsky you get a sense of, for better or worse, a really strong personality. Fox corresponded heavily with fans and Julius Schwartz survived log enough to publish an autobiography, but by contrast there is almost nothing in Sekowsky’s own voice.
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Brave and the Bold (vol. 1) #28 – The Writer

A portrait of Gardner Fox drawn by Gil Kane (it's something of a cliché that all Gardner Fox biographies must show this image at least once!)

  • First Appearance: Detective Comics #4 (June 1937)
  • Occupation: Writer of comic books, short stories, novels
  • Claim to fame: First professional comic book writer, originated the superhero team
  • Creator of: Flash, Hawkman, Doctor Fate, Adam Strange, the Batarang, DC Multiverse, etc.
  • Homages: The Green Lantern Guy Gardner and the Flash John Fox are both named for him. The Justice League episode “Legends” is dedicated to him.

Gardner Fox has due claim to be the first and possibly the greatest comic book writer ever. In a comic book career that spanned the years 1937-1969 he originated not only the Justice Society, but also the Justice League and the very concept of the DC Multiverse. He was the co-creator of the Flash, Hawkman, Doctor Fate, Adam Strange, and a string of other characters.

If Timely’s Comics [Golden Age Marvel] seemed to lay stress on the art and the artists, then DC’s books took the opposite approach. There the writer was the star who, if he so desired, always got top billing. And, in a galaxy of comic writers, Gardner Fox is one of the most brilliant.

- Jim Steranko, The Steranko History of Comics #1.

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Brave and the Bold (vol. 1) #28 – The Era

Like anything the very first Justice League was a product of its time. The first appearance of the Justice League in Brave and the Bold #28 carried a cover-date of Feb-March 1960. The actual date it was on the news stands would probably have been a couple of months earlier, but let’s stick with that cover date for now.

Civil Rights

February and March 1960 were pivotal times for the Civil Rights movement both in the United States, but also in South Africa. It was on February 1st 1960 that four black college students stated a peaceful sit in at a lunch-counter in North Carolina. That moment is the spark that started the USA civil rights movement.

In South Africa on the 21st of March 69 non-violent protesters were shot dead by police in an event now known as the Sharpeville Massacre. The event was condemned internationally and marked a turning point in South Africa’s history. Sharpeville became so symbolic that it is where President Nelson Mandela signed South Africa’s post-apartheid Constitution and its date is the day of the UN’s International Day for the Elimination of Racial Discrimination.

Current Events

Outside of the comics John F. Kennedy had announced his candidacy for the US Presidency the previous month. In February CERN became operational, France successfully detonated its first nuclear bomb, and the 1960 Winter Olympics start. In March the iconic image of Che Guevara was taken by Alberto Korda, Elvis Presley returned to the USA from his posting in Germany, and Pioneer V launched.

In the Comics

Overview

This was just three months into the 1960s and DC’s line of comic books is still very much in the pattern that it had been in the 1950s. The Superman/Batman suite of books and their co-stars (Aquaman, Martian Manhunter) are published monthly, but the Julius Schwartz reboot is still in its infancy. The Flash is still bi-monthly and Green Lantern still hasn’t left Showcase.

In the same month Superman and Batman’s adventures are being written by their co-creators, Jerry Siegel (back at DC) and Bill Finger (Bob Kane’s original ghost writer/collaborator), and they are being drawn by their classic late Golden Age artists, Wayne Borning and Al Pastino on Superman and Sheldon Molfoff and Dick Sprang on Batman. Likewise Ramona Fradon is drawing Aquaman’s adventures (including the first appearances of Aqualad) and Ross Andru is drawing Wonder Woman’s adventures. The original Batwoman features prominently in Batman’s stories and he is actively fighting aliens.

DC Titles Featuring the Justice Leaguers in February and March 1960

  • Aquaman
    • Adventure Comics #269 “The Kid From Atlantis” (Robert Bernstein/Ramona Fradon) – the first appearance of Aqualad
    • Adventure Comics #270 “The Menace of Aqualad” (Robert Bernstein/Ramona Fradon) – gee second appearance and the kids already making a nuisance of himself
  • Batman
    • Batman #129 “Web of the Spinnner” (Bill Finger/Sheldon Moldoff)
    • Batman #130 “Batman’s Deadly Birthday” (Bill Finger/Dick Sprang) & “The Master of Weapons” (Bill Finger/Sheldon Moldoff) & “The Hand From Nowhere” (Bill Finger/Sheldon Moldoff)
    • Detective Comics #276 “The Return of Batmite” (Bill Finger/Sheldon Moldoff)
    • Detective Comics #277 “The Jigaw Menace From Space” (?/Sheldon Molfoff)
    • World’s Finest #107 (with Superman) “Secret of the Time Creature” (Bill Finger/Dick Sprang)
    • World’s Finest #108 (with Superman) “The Star Creatures” (Jerry Coleman/Dick Sprang)
  • Flash
    • The Flash #111 “The Invasion of the Cloud Creatures” (John Broome/Carmine Infantino)
  • Green Lantern
    • Showcase #24 “The Secret of the Black Museum!” & “The Creature That Couldn’t Die!” (John Broome/Gil Kane) – (the third appearance of Green Lantern Hal Jordan)
  • Martian Manhunter
  • Superman
    • Action Comics #261 “Superman’s Fortress of Solitude” (Jerry Siegel/Wayne Boring)
    • Action Comics #262 “When Superman Lost His Powers” (Robert Bernstein/Wayne Boring)
    • Superman #135 “When Lois First Suspected That Clark Was Superman!” (Jerry Siegel/Al Plastino) & “Superman’s Mermaid Sweetheart” (Jerry Siegel/Wayne Boring) & “The Trio of Steel!” (Jerry Siegel/Al Plastino)
    • World’s Finest #107 (with Batman) “Secret of the Time Creature” (Bill Finger/Dick Sprang)
    • World’s Finest #108 (with Superman) “The Star Creatures” (Jerry Coleman/Dick Sprang)
  • Wonder Woman

(NB: Superman would have more appearances, but I haven’t included Jimmy Olsen, Lois Lane, and Superboy titles).

Brave and the Bold (vol. 1) #28 – The Cover

Brave and the Bold (vol. 1) #28 was the comic book that launched the Justice League, but it’s also one got of those classic covers that gets continually aped and copied. Here are a ten recreations, homages, and pastiches of that classic cover.

0. Mike Sekowsky -- The Original

This is the original on the left and the Justice League Archives vol. 1 recolouring on the right. The tones are nicely matched, but there is something about the original – the depth of the colours and the patina of age – that makes it truly fantastic.

1. Alex Ross -- Justice League Secret Origins

Superstar painter Alex Ross did this reverse perspective flashback to BB #28 for his Justice League tabloid with writer Paul Dini.

2. Mattel 2010 SDCC Exclusive

As a promotional offering for last years San Diego Comic Con Mattel produced a special Justice League and Starro boxed-set with special sound effects recorded by Kevin Conroy (Batman from Batman: The Animated Series).

3. Run Frenz & Sal Buscema -- Alter Ego #33

Alter Ego use to have two covers, one for the Golden Age half and one for the Silver Age half. When celibrating JLA artist Mike Sekowsky that had a classic marvel cover showing DC characters and this classic DC Cover shing Marvel’s Human Torch, Submariner, Captain America, and co.

4. John G. Mathews -- Brave and the Bold Statue

From DC Direct’s description: “the cover of THE BRAVE & THE BOLD #28 by Mike Sekowsky and Murphy Anderson (March, 1960) is recreated as a stunning hand-painted, cold-cast porcelain statue, sculpted by John G. Mathews.”

5. Jim Lee -- JLA #50

Upcoming Justice League artist Jim Lee drew the JLA’s encounter with Starro as a variant cover for Justice League of America (vol. 2) #50 (December 2010).

6. Darwyn Cooke -- DC: The New Frontier

Darwyn Cooke’s excellent DC: The New Frontier retold the adventures of DC’s heroes in a setting contemporary to their first published appearances. It cumulated in the heroes coming together as the Justice League and featured a rather special final splash showing the BB #28 encounter with Starro.

That scene also made it into JLA: The New Frontier, the animated adaptation of Cooke’s comic book.

8.Warren Martineck -- JLA Archives sketch card

Warren Martineck is one of the arts who has provided sketch cards for the Justice League Archives Trading Cards. One of those featured the JLA (with JSA) and Starro in a very BB #28 like tussel.

9. Bart -- Sears DC Cosmic Teams 1993

DC Cosmic Teams 1993, the then JLI, fighting Starro by Bart Sears [via: the Bart Sears Checklist]

10. Alé Garza -- Teen Titans #52