Batman

Justice League panel at SDCC 2011

DC has separating its new 52 books out into distinct brands (“Edge”, “Dark”, “Young Justice”, etc) and this panel was focused on the Justice League line of books (tagline “Worlds Greatest Super Heroes”). This naturally includes Justice League (writer Geoff Johns and aritist Jim Lee) and Justice League International (writer Dan Jurgens), but also books like Captain Atom (JT Krul), Green Arrow (writer JT Krul, artist Jurgens), Hawkman (artist Philip Tan), Flash (Francis Manapul and Brian Buccellato), Mister Terrific (writer Eric Wallace), were also present – plus Johns in his capacity as the writer of Aquaman and Green Lantern. The panel was moderated by DC’s Senior Vice-President of Sales Bob Wayne and Executive Editor Eddie Berganza.

You can find an MP3 download podcast of the panel on DC’s website. There were quite a few creators present, but the JLI and JLI books took up most of the discussion.

Justice League

Jim Lee introduced the Justice League:

It’s been a real delight working with Geoff [Johns], we’ve talked about working together for a long time. And it’s great to be on a team book again, honestly. I’ve been working on single character books for a long time. All those characters have side kicks and foils and things like that to interact with, but it’s predominantly a single flavour that you get out of Superman or Batman. Doing a team book gives you a completely different dynamic. It’s all about the interaction between all these iconic characters and Geoff is just a master at exploring the personalities behind the masks. The characters have different ideologies and personalities, it’s great having that interaction between characters like Batman and Green Lantern.

There is a lot of humour, I actually laugh a lot each time I read the script, probably in places I’m not supposed to be. I always learn something working with new writers for the first time, he’s [Geoff] really brought out the humanity in these characters. I hope you guys get a kick out of it.

Later in the Aquaman segment Geoff Johns touched on the humour element.

I’m really trying to inject some humour into all my books this time around from Justice League, to Aquaman, to Green Lantern get back to, instead of superheroes talking with other superheroes all the time, have superheroes interacting with real people.

Geoff on Hawkman:

He’s also a member of the Justice League. Everybody’s having a meeting and they’re all talking and a big mace falls on the table. They look up and Hawkman’s there. He sits down and goes “don’t worry, it’s not my blood!

How Cyborg can be a founding member of the Justice League given that he was originally a the Teen Titans character will be addressed in Justice League. Adding Cyborg to the team is about shaking things up, Geoff Johns said that:

I didn’t want to do the same seven that everybody predicts. The Martian Manhunter, well you’ll see where the Martian Manhunter is at, in the storyline, the origin, but, I like Cyborg, I think he’s a great character. I’ve written him for years and years in the Titans and Flash and I really think he’s a modern-day superhero. I don’t know if anybody in here doesn’t have an online identity, but he’s online and offline all the time.

Jim Lee was asked whether the Justice League costumes were “Paul Gambini originals?”

The design on Justice League. We wanted them to be obviously a team and we had a chance to design the costumes in a way that subtly suggests that they are team-like  so there are similarities between the costumes. The high collars, I just think they look more regal more majestic. If you look at a lot of the more open-collar costumes, like Superman and Aquaman, [they] harken back to the late 1930s and 40s strongman kind of appearance. So it was just giving it an update.

It was also noted that Ivan Reis had put that a high collar on Aquaman before Jim Lee came to do the JLA costume redesign.

Another questioner brought up the Manhunter issue and Johns reiterated that J’onzz’s status will be addressed somewhere in the first arc (“there is a story to be had there”), but from a larger perspective there is an in-universe reason in the New 52 as to why there is only one alien (to wit Superman) on the Justice League. Geoff jokes that “When everybody see him they’re like “its a Martian!” and Hal’s like “hey dude”. The Manhunter will be in Paul Cornell’s Stormwatch.

Other questions:

  • Why isn’t Dick Grayson carried over in a team, even through he’s now Nightwing? Johns said that Nightwing was left out of the Justice League explicitly because he was such a good team player – an anti-social Batman makes for more interesting drama.
  • A woman questioner commented that condensing the DC timeline into five years must make it “really traumatic five years” for those who had to live through it. Geoff Johns said that would be addressed.
  • We’ll be getting new villains in JL. Something like the Legion of Doom, but not called the Legion of Doom, will show up Justice League next year.

Justice League International

Dan Jurgens introduced the new Justice League International:

The Justice League International is an officially United Nations sponsored group [that is] in part is a reaction to the JLA. Batman, Rocket Red, Fire, August General in Iron, Booster, Guy (kinda of in and out a little bit), Vixen, Ice, and its going to be a bit of a rotating membership. Because some of these guys think – and when I say “Guys” is that a clue – some of these guys might think that they deserve to be in a somewhat better group than JLI. So there is a little bit of coming and going as the roster changes and rotates, but it is a group that is put together in direct response to the JLA.

Aaron Lopresti is doing incredible artwork on this book, he’s knocked the ball out of the park page after page. It’s a lot of big open stuff as I think this page shows [the coloured page] and its one of those things that we’re really trying to bring back, I think a lot of action and movement into the DC Universe, lots of big visuals, lots of fun stuff. As you can see here too [surprised as second JLI page is shown], as we continue on JLI. Not yet coloured, but Aaron and inker Matt Ryan are really going fabulous work on this. There is just tremendous characterisation that is coming through in their artwork, all the figure work, and everything they do.

On the Batman’s inclusion in both teams:

With JLI – I’ve got to figure how to do without giving too much away – let’s put it this way: JLI is a sponsored United Nations organisation that it put together in response to the JLA right? Well the JLA kinda thinks that they have somebody attached to their team that the United Nations knows nothing about. So he’s [Batman] kind of the bridge between the two teams and it’s not like the Batman would ever do what the UN tells him to. So he’s there because he thinks that’s where he should be and building a bit of a conduit between the two groups.

Dan Jurgens later brought the JLI cover back up and pointed out that none of the characters, with the exception of Batman, were wearing masks:

One of the things we’re building in the new DC Universe, as it pertains to this group, is the idea that all these people are much more known than typical, and remember I said that Batman was there without the UN’s permission. They went though an exercise that said we don’t want people with masks and identities we don’t necessarily know, and we sure don’t want any aliens.

Diversity

Issues about of the new line’s diversity was raised several times. Mister Terrific’s Eric Wallace stressed that the drive to increase diversity wasn’t limited to the headline characters, but there was also effort put in to increase the diversity of the supporting casts and the background characters.

The questions about diversity also prompted responses that revealed details that various writers may otherwise have held off until their books would have appeared. Dan Jurgens said that August-General-In-Iron had become one of his favourite characters in the JLI book. Geoff teased that there was a “smaller” character in Justice League who rhymed with “batom” (pretty much telegraphing that the Ryan Choi version of the Atom was to make an appearance).

There was an interesting and slightly tense debate on the prominence of, or lack of, women in the new DCU. This led Geoff to claim that DC has “by far and away more iconic and stronger female superheroes than any other company out there.” The questioner countered that most of those were “Girl” representations of “Man” characters and not adult “Women”. She made several very good points and the panel struggled to convince her that things were being addressed.

Just from my own survey of the Justice League books – Justice League International and Dark are both 50% male/female. The flagship JL title isn’t so balanced as it looks like just Wonder Woman, but there are other characters like Mera and Element Woman, who we haven’t seen yet so we may have to wait to pass judgement on that one.

It was unfortunate that Bob Wayne had to silence the audience at one point.

Batman and Robin by Richard Cox

The one things that differentiates the Dick Grayson Batman visually from the Bruce Wayne Batman is the addition of that little punk. The kid should be a massive negative (c.f. the second incarnation of the Jason Todd Robin),  but there is just something about his attitude that works so well. That’s why I liked this piece by Richard Cox. Damian with all his attitude is bearing down on some unseen criminal whilst Dick it standing-by with a Batline ready to either join in or haul Damian back as necessary.

Supernatural’s Adam Glass on writing for the JLA

Comic Book Resources has an interview with Supernatural producer Adam Glass about his work on a couple of chapters of the upcoming JLA 80-Page Giant. It’s a mystical-themed book with an overarching big-bag, but each of the chapters teams-up a JLA hero with a mystical hero.

When DC offered me the chance to do a story, they said they wanted weird team-ups. I’m Christmas shopping with my daughter and we’re actually stopping by the comic book store to pick up my books. My phone rings and they’re like, “It’s Jim Lee and Dan DiDio for you.” I was like, “What? Really? Jim Lee is on the phone?” I actually met Dan at Comic-Con [International] and we’ve stayed in touch, but I didn’t expect anything. I’d done all this stuff for Marvel, and I was obviously writing “Supernatural,” and then I just got a call from them and they said, “Would you be interested in doing a book with us?” I said, “Of course, I would be.” They put me in touch with Eddie Berganza and Eddie says to me, “We’re doing this huge 80-pager JLA like we do every year and we want to do weird team-ups. Teams that people wouldn’t expect together. We’d like you to come up with an idea for the book, the whole concept, and then we want you to write three of the chapters.” And I said, “Can I do Batman?” He said, “Of course, you can do Batman.” I was like, “I’m sold.” This was my chance to finally write Batman. So that’s really what got me juiced to do it.

Read the rest here.

Power Girl #21

Credits: Written by Judd Winick; art by Sami Basri; coloured by Jessica Kholinne; lettered by John J. Hill;  edited by Chris Conroy (associate) and Joey Cavalieri; cover by Sami Basri and Sunny Gho.

Synopsis “Old Friends”: Power Girl had been convinced by Maxwell Lord’s mind control that Captain Atom is Superman and that he has started to attack innocent civilians. The enraged Power Girl furiously attacked Atom until the JLI were able to break Lord’s conditioning (Justice League: Generation Lost #19).PG feels bad about the case of mistaken identity and wants to join the JLI’s fight against Max, but Booster asks her to find other people who also remember Lord’s existence. She goes to see Dick Grayson. Together they have managed to break Lord’s conditioning before, but its power always overwhelmed them again. Now PG’s mind is clear she tries to convince Dick by showing him that Ted Kord (the second Blue Beetle) was murdered by Max and did not commit suicide as the mind control makes people believe. Meanwhile at Starrware, the company’s creditors have sold off its assets to Day Work Industries. Simon Peters (Karen Starr’s executive assistant) and Nicco try to stall them, but Dr Ophelia Day sees through their charade. PG and Dick exhume Ted’s body and prepare to perform an autopsy. Dick still resists, but he’s over ruled by Bruce Wayne (the elder Batman and former member of the JLI). Together they show conclusively that Ted Kord could not have committed suicide. Batman (Bruce) then leaves Dick to contact Oracle and the JLA while he goes with Power Girl to aid the JLI.

Comments: The opening sequence of this issue takes place simultaneously with Justice League: Generation Lost #19. Last issue I questioned whether it was an art mistake that they showed the Bruce Wayne Batman and not the Dick Grayson Batman, but it obviously was deliberate. The conversation with the Blue Beetle is a flashback to Countdown to Infinite Crisis. I’m not really sure how this plays out, but in the Countdown to Infinite Crisis Max orders Ted’s body to be incinerated so I assumed that there was no real corpse to do an autopsy on.

Opinion: Another great issue from Winick and Basri. I love the way that this series dovetails with Justice League: Generation Lost, but also manages to tell a story that is completely its own. The stripping of Kord Omniversal is nicely paralleled with the falling apart of Starrware. The elephant in the room with regards to the Generation Lost storyline has always been those characters who weren’t around for the mind wipe or should have been able to resist it – specifically J’onn J’onzz and Bruce Wayne. As we’ve seen in the latest issue of Brightest Day that J’onn never had a chance to become involved. Bruce Wayne was lost in time until after this series started and I like the way that he doesn’t even need to struggle with the mind control. He shows that although Dick Grayson is a Batman, Bruce Wayne is still The Batman. Over the course of this series the colouring has transitioned between Sunny Gho and Jessica Kholinne. The overall result has been consistently of a really high standard and I’m impressed that there was no noticeable change between the two colourists.

Superman TAS: World’s Finest Part Three

Screen Shots

Episode Credits

Quotes

Lois: How could you have lied to me like that?
Bruce: Now I never actually said I wasn’t Batman.
Lois: <slaps the wound she was dressing>
Bruce: Ow!

as the Lexwing explodes with the Joker on board
Harley: Pudding!!
Batman: At this moment he probably is.

Synopsis "World's Finest Part Three"

Previously in Part One: The cash-strapped Joker has hired himself out to Lex Luthor with the promise that he’ll kill Superman using a stolen kryptonite statue. The Batman, as Bruce Wayne, has followed the Joker to Metropolis under the pretence of overseeing a business deal with Lex. Wayne’s romance with Lois Lane does not impressed Superman. In Part Two: The Joker’s first attempt to kill Superman fails when he is saved by the Batman, but the Joker manages to escape with half the kryptonite. Lex and Joker then realise that they’ll have to deal with both heroes. Superman is drawn away with a fake distress call while the Joker ambushes Batman with a Wayne-Lex T7 (a spider-like robot Bruce Wayne and Lex Luthor had been co-developing).

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Superman TAS: World’s Finest Part One

Screen Shots

Episode Credits

Cast

Superman/Clark Kent
Tim Daly
Lois Lane
Dana Delany
Batman/Bruce Wayne
Kevin Conroy
The Joker
Mark Hamill
Lex Luthor
Clancy Brown
Harley Quinn
Arkeen Sorkin
Mercy Graves
Lisa Edelstein
Commissioner Gordon
Bob Hastings
Detective Bullock
Robert Costanzo
Dan Turpin
Joseph Bologna
Alfred
Efrem Zimbalist Jr
Bibbo
Brad Garrett
Ceasar Carlini
John Capodice
Binko
Corey Burton
Female Terrorist
Shannon Kenny

Crew

Story
Alan Burnett and Paul Dini
Director
Toshihiko Masuda
Music
Michael McCuistion
Voice Director
Andrea Romano
Writer
Alan Burnett, Paul Dini, and Rich Fogel
Art Director
Glen Murakami
Animation Timing Director
Vincent Bassols
Storyboard
Nobuo Tomizawa, Toshihiko Masuda, and Takashi Kawaguchi
Character/Prop Design
Shijiro Nishimi, Glen Murakami, and Bruce Timm
Animation Services
TMS-Kyokuichi Corporation
Animation Director
Teiichi Takiguchi
Series Story Editor
Stan Berkowitz, Alan Burnett, Paul Dini, and Rich Fogel
Series Writer
Hilary J. Bader, Stan Berkowitz, Alan Burnett, Paul Dini, Rich Fogel, Steve Gerber, and Robert Goodman
Series Director
Hiroyuki Aoyama, Curt Geda, Kenji Hachizaki, Toshihiko Masuda, Dan Riba, and Yuichiro Yano
Producer
Alan Burnett, Paul Dini, and Bruce Timm
Associate Producer
Haven Alexander
Executive Producer
Jean MacCurdy

Quotes

Luthor: <chuckling> What makes you think you can kill Superman when you can’t even handle a mere mortal in a Halloween costume.
Joker: <menacingly> There is nothing mere about “Bat-mortal”.

Batman: <menacingly> Where’s the Joker?
Bingo: Who knows! Making Ha Ha with Harley Quinn! Urk. I don’t know. Honest! I never went back after he muscled in, I don’t want anything to do with that clown.
Superman: That’s enough. I think you got your answer.

Synopsis "World's Finest Part One"

It’s a dark and stormy night as an antiques shop owner closes up. A beautiful young-woman stops him from closing the door and tells him “Hang on their Clyde!” She’s Harley Quinn, the Joker’s girl, and this is Gotham City. Moments later the poor man is lying on the floor, convulsing with laughter from the Joker’s gas, and the Joker himself is prowling around the shop. He spies a very heavy carved statue, “the Laughing Dragon”, which he rips from its base and gives to Harley to carry.

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The Age of TV Heroes

The Age of TV Heroes
By Jason Hofius and George Khoury – Published by TwoMorrows Publishing – ISBN 978-1-60549-010-6

The first thing to say about The Age of TV Heroes is damn!, that’s a nice cover. Alex Ross renders DC’s four iconic TV heroes – George Reeves (The Adventures of Superman), Adam West (Batman), Jackson Bostwick (SHAZAM), and Lynda Carter (Wonder Woman) – so brilliantly that I suspect it’ll be one of the major selling points for this book.

The remit of the book is very tightly focused – this is a book about live action television superheroes, specifically adaptations of comic book superheroes although a few other series get a mention in the extensive time-line that opens the book. Each subsequent chapter focuses on a particular significant character or property so Adam West’s Batman get’s his own chapter, but George Reeves and Dean Cain’s Supermen share a chapter. Interesting Superboy (The Adventures of Superboy and Smallville) is handled separately from Superman.

For reference the chapters are:

  1. A Comic Book-To-TV Hero Timeline
  2. Superman/Lois & Clark
  3. Batman
  4. Shazam!
  5. Wonder Woman
  6. Spider-Man
  7. Legends of the Superheroes
  8. Captain America
  9. Doctor Strange
  10. The Incredible Hulk
  11. Swamp Thing
  12. Superboy/Smallville
  13. The Flash
  14. Vampirella
  15. The Tick

Yes, you did read that right, there is a chapter on Legends of the Superheroes. There are also three “commercial breaks” focusing on the “TV Hero Movie Show Hosts”, “Salute to the Super Heroes” (the water ski show), and The Greatest American Hero. Some of these chapters are more interesting than others depending on your tastes.

The Age of TV Heroes is full-colour throughout and makes excellent use of contemporary photographs (publicity and candid) and occasionally comic-book artwork. Most of the chapters include quotes from interviews with one or more producers/actors from each show. The writers have also tried to shape the development and decline of each show into a narrative. Together this lifts the book above the usual bargain basement TV history books which are usually too cheap to get the creators’ help/input. That said the over all design of the book isn’t terribly consistent and bounces around from style-to-style each time you turn the page. Yet somehow this style does seem to strangely suit the TV superheroes.

Some of these shows have received more press that others. The pathos and tragedy surrounding The Adventures of Superman means that it’s hard to being much new to the topic. Nevertheless, that chapter does benefit with plenty of quotes from a Jack Larson (Jimmy Olsen) interview. The sections on the Legends of the Superheroes and the Salute to the Super Heroes are probably unique in covering these properties in-depth.

Fan Film Friday: The Very Real Adventures of Batman and Robin

Jerry Whitworth a sometime contributor and commenter to this site sent me a link to a Batman and Robin parody by Channel Flip (a UK based internet tv/video station for the 18-30 guy market) called The Very Real Adventures of Batman and Robin. In this version of reality Robin is the competent one and Batman, well let’s just say it’s the closest you’re ever going to see to Ricky Gervais playing the Caped Crusader. A very British Batman and Robin.

I’ve heard the Channelflip name before as their head co-founder Wil Harris is a sometime contributor to the This Week in Tech podcast, but I had no idea they were producing stuff like this. This is a series and there are over a dozen short episodes.

Ulises Farinas’s Batcave

Ulises Farinas is an artist and cartoonist who has become something of a web phenomena with his panoramas of Lego mini-figures showing events like Blackest Night. He’s just put out a new piece showing Batman surrounded by the detritus of the Batcave’s trophy collection. It’s caption is:

After losing his parents, he’s unable to let go of any material possessions, forever staying a emotionally stunted man-child playboy as Bruce Wayne, and a seething obsessive compulsive angry monster as Batman.

Go to Farinas’ site to see the full image.

Justice League of America (vol. 2) #0

Quotes

Superman (about Batman): In all our time working together it was the first time I saw Bruce scared. It wasn’t the aliens. Or the diamonds. Or even the Mach 6. It was just the simple and unavoidable realization that there were bigger things on the planet than him. And that’s what terrified Batman. [...] But as he’s done every day since he was eight years old, instead of being ruined by his darkest and most ruthless fears he embraces them.

Wonder Woman: So we’re on again? Once every year?
Batman: That’s fine, Diana. But I think we can do better than that. And maybe even invite a few friends along in the process.
Wonder Woman: Did you just say friends?
Batman: I meant teammates.
Superman: We know what you meant, Bruce.

Issue Credits

Writer
Brad Meltzer
Artist
Eric Wight (pgs 1-4), Dick Giordano (pg 5), Tony Harris (pg 6), George Perez (pg 7), J.H. Williams III (pg 8.), Gene Ha (pg 10), Rags Morales (pg 11), Ethan Van Sciver (pg 12), Kevin Maguire (pg 13), Adam Kubert (pg 14), and Jim Lee (pg 16)
Penciller
Luke McDonnell (pg 9), Dan Jurgens (pg 15), Howard Porter (pg 17), Andy Kubert (pg 18), Phil Jimenez (pg 19), and Ed Benes (pgs 20-24)
Inker
Paul Neary (pg 9), Kevin Nowlan (pg 15), Dexter Vines (pg 17), Jesse Delperdang (pg 18), Andy Lanning (pg 19), and Sandra Hope (pg 20-24)
Colourist
Alex Sinclair
Letterer
Rob Leigh
Assistant Editor
Jeanine Schaefer
Editor
Eddie Berganza
Cover Artist
Michael Turner and Peter Steigerwald
Variant Cover Penciller
J. Scott Campbell
Variant Cover Inker
Sandra Hope
Variant Cover Colourist
Edgar Delgado

Synopsis "Yesterday, Today, Tomorrow"

The trinity of Superman, Batman, and Wonder Woman, like other groups of Leaguers, have always met independently of the monthly Justice League meetings. Since their first loss (the Red Tornado against the Nebula Man) they’ve met annually to discuss the state of the Justice League.

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