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Comics cataloguing

The impending end of the Universe (re: DC New 52 reboot) occurred to me as a good time to finally organise my comic collection. It’s been over a decade since I last did it and I’ve moved around a bit during that time. New stuff got boxed as and when there was enough to fill a long box, a lot of stuff wasn’t bagged at all, and that which was bagged now needs to be re-bagged.

On a storage side I just don’t have the room to store the collection at home any more in a way that is accessible so a lot of stuff is going to have to go into an off-site storage locker. If I’m going to do that I feel I need to do it properly with archival quality storage materials and a properly maintained catalogue of what I’ve got and where it is. Most of my stuff isn’t really valuable – it’s mainly 1980s and later – but it still needs protecting.

The biggest problem I faced was normal comic bags. Old comics are inherently self-destructive as the chemicals in cheap paper and plastic degrade and react with each other over time. So normal bags are only okay for short-term storage and the received wisdom is that they should be replaced every 2-5 years. I sorry, but I just don’t have the energy or the time to be constantly re-bagging comics. If I do this I want to do it once and have it done with. That therefore means a bag made from a non-reactive plastic like Mylar.

After a bit of research I settled on 2mil Mylar bags with archival quality half-back boards (3% Ca solution throughout).  These bags aren’t cheap, but with some experimentation I found that 2 modern comics will fit in a 7″ Mylites2 with a half-back board. It works out about 12 cents a comic which isn’t outrageous when you consider that the comic book cover price is $2.99 minimum nowadays.

The 2-up only works for modern 32-page comics which are already in pretty good condition. Things like Annuals or 80-pages seem to need a bag on their own or even a 7.25″ bag. I didn’t want to got to 7.25″ for normal issues as they just feel to “baggy” (for lack of a better word) and I wanted to stick with a maximum of two comics per bag. Things should be held securely, but not so securely that newsprint is going to transfer from one page to another.

Doubling up also means that I have odd-numbered issues facing forward and even-numbered issues facing to the back. That works well for continuous runs, but can fall down if you’ve got holes (missing issues). What I chose to do was to deliberately leave gaps for sequences that I intend to finish. For example if I have issues 1,2,4,5 of a series I would use three bags: 1 for #1,2, a second for #4, and a third for #5. That way I can just add #3 to the second bag without having to rebag #5 to maintain the correct order. It’s a little overkill, but it avoids the problem of having to rebag entire sequences to maintain the correct order.

Finally I decided to use scotch tape for holding down the tap (I only use a small amount to hold the tab down, hermetically sealing them isn’t a practical option, but it does keep insects and dirt out). I was really put off by normal cellotape as its made from a cellulose compound which the packaging actual boasts is bio-degradable (something you certainly don’t want around an archival situation). Scotch tape – from experience – seems more stable and has these handy pre-cut dispensers that are just right for bagging comics. I may have to monitor that situation to see whether its worth switching to full archival tape.

As for boxes. I was really tempted by full acid free card-board boxes. Gerber do a range of acid free boxes, but it felt like that it might be overkill. I also avoided the traditional 30″ long box – those things are okay when you’re younger, but they are just too fragging heavy for me. The 17″ model seems fairly standard nowadays – you can get a descent amount in them without them sagging or being impossible to move around. I use to have some even shorter boxes, 14″ I think, which I really liked, but they created the problem of a profusion of boxes. I have seen averts for drawer boxes, but I remain to be convinced.

Bags, boards, and boxes were all fairly logical and scientific to work out. The hard part is working out a filing system. I thought about alphabetical, but that gets problematic if you want to find a lot of stuff that is close in time chronologically – you end up pulling out a lot of boxes for only a few issues out of each. Conversely filing chronologically makes it harder to follow titles across many years. I think I may try a compromise by splitting it down by continuity – Pre-Crisis to Crisis on Infinite Earths, post-Crisis up to Zero-Hour, Issue 0′s until Infinite Crisis, One-Year Later until Flashpoint. That then leaves a completely fresh break for the new upcoming continuity.

Now I just have to put all that into action… this may take sometime!

BB #28 – The Editor: Julius Schwartz

Julius Schwartz by Carmine Infantino (from the cover of Alter Ego #38)
  • First Appearance: All-American Comics #58, Flash Comics #54, Sensation Comics #39 (all June 1944)
  • Occupation: Literary agent, comic book editor, DC Comics good will ambassador
  • Claim to fame: First literary agent specialising in science fiction, being Julius Schwartz
  • Creator of: Editor & co-creator/co-plotter of the DC Silver Age characters (Adam Stranger, Hal Jordan, Barry Allen, Ray Palmer, etc)
  • Homages: Memorial lecture series, “The Schwartz” – the force behind everything in Mel Brooks’ Spaceballs, Zardeth in Adam Strange

Julius Schwartz’s autobiography is aptly titled Man of Two Worlds as he moved in two rather different, but intimately connected worlds. The Earth-2 Julie was a pivotal figure in early science fiction fandom – he collaborated on the first fanzine, convention, literary agency, you name it. The Earth-1 Julie was the man who helmed the 1960s revivals at DC Comics and is thus single handily responsible for comics’s Silver Age.
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Asides from Twitter for 2011-08-12:

  • Comic Book Legends Revealed #327 – Was the JLA's Manitou Raven really supposed to be the Super Friend's Apache Chief? http://t.co/mqcuCmv #

Reply / tweet / follow @JLAblog on Twitter.

Young Justice (vol. 2) #5

Issue Credits

Writer
Art Baltazar and Franco
Artist
Christopher Jones
Colourist
Zac Atkinson
Letterer
Carlos M. Mangual
Assistant Editor
Michael McCalister
Editor
Jim Chadwick
Cover Artist
Mike Norton
Cover Colourist
Alex Sinclair

Quotes

Kid Flash: Seen it. Seen it. Seen it. Seen it. Don’t want to see it. Boring. Don’t own any stocks. Aready got a slap chop. Seen it. Seen it. Seen it.

Synopsis "What's The Story?"

July 20, 21:32 EDT – Wally West is hanging out at the team’s cave headquarters when he spies Miss Martian walking past. He tries talking her into doing something with him and they eventually agree upon the idea of roasting marshmallows around a camp-fire. Wally enthusiastically rushes off to gather the necessary materials, but his fervour is dampened when he returns to find that Megan has invited Robin, Aqualad, and Superboy to join them. The team mates entertain each other around the camp fire by each telling the story of how they became a superhero.

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Justice League gender inversion

Justice League Bend by Yasmin Liang (*Over Grown Bat)

The above image is Yasmin Liang’s version of the Gender Bent Justice League, a troop of cosplayers dedicated to portraying reverse gender versions of prominent DC characters.  It’s a fashion that has turned into a full-blown Elseworld’s Justice League during this summer’s conventions.

Gender Bent Justice League - Just Desserts by LynxPics

Their appearance has attracted so much attention that they’ve even had a right up in the LA Weekly:

“We try to keep it pretty scantily clad for [the men] because that’s how women are portrayed,” says Silver. “We weren’t scantily clad for ourselves because that’s not the point. We’re showing that girls can be clothed and be superheroes because, most of the time, they aren’t.”

The roster matches almost all the League and is still growing:

Right now, Gender Bent Justice League has fourteen members and seems to be growing. In addition to Batma’am, Superma’am and Wonder Man, there are Green Lantern (Halle Jordan, Flash (Wendy West), Aqualass, Green Arrow, Vixen, Power Guy, two Hunters, Martian Maneater and Plastic Lass. There is also a Black Canary who was unable to make it to the con this year and they may have an Atom joining the fold.

[via: Project Rooftop]

Supergods by Grant Morrison

Supergods is the new book by Grant Morrison. However, if you were just expecting a normal, perfectly straight-forward history of the comic book medium you would be surprised, but I hope not disappointed, by its contents. This is the history of comics according to Grant Morrison – part history, part autobiography, part polemic, part manifesto and part bonkers. The subtitle (“What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human”. ) warns you not to expect a scholarly dissertation or dispassionate exploration of the superhero in popular culture. This book oozes passion for its subject and is rarely neutral on any issue.

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Asides from Twitter for 2011-08-09:

  • I've been boarding/bagging comics all day. It feels like I'm archiving the old DCU and backing it away in Indiana Jones' warehouse. #

Reply / tweet / follow @JLAblog on Twitter.

What is the additional content in JL #1?

In a retailer’s FAQ update DC released the following information:

Which of The New 52 titles are not $2.99?

Four of The New 52 are 40-page comics at $3.99 with additional pages of content. They are:

  • JUSTICE LEAGUE – 24 story pages in #1 with 4 design or extra content pages. 22 story pages starting with #2 with 6 design or extra content pages.
  • ACTION COMICS – 29 story pages in #1. 28 story pages starting with #2
  • ALL STAR WESTERN – 28 story pages.
  • MEN OF WAR – 28 story pages.

We’ve know the price point for a few months, but not the story page count. So for Justice League we are paying $3.99 for a 22-page story where as the other $3.99 issues are 28/29 pages. Granted some of us were concerned whether Jim Lee – a brilliant artist, but one with a very involved style – would be able to keep to a monthly schedule (especially when he’s on an oversized book and still has his DC co-publisher day job). This announcement takes some of the weight, and pages, off.

What is filling that extra-space? I do hope it’s new back-story material about the New 52 Universe and not just some photocopied pencils. And more importantly will that extra-material be worth the extra-dollar!? DC know that this title is going to sell insanely well so they are obviously looking to justify the higher price point without killing Jim in the process.

Justice League of America (vol. 2) #59

Issue Credits

Writer
James Robinson
Penciller
Daniel Sampere
Inker
Wayne Faucher
Colourist
Andrew Dalhouse
Letterer
Rob Leigh
Editor
Rex Ogle and Eddie Berganza
Cover Colourist
Andrew Dalhouse
Cover Penciller
Brett Booth
Cover Inker
Norm Rapmund
Variant Cover Artist
David Mack

Quotes

Bruce Gordon: I think I am god’s punishment for Eclipso… but… what did I do to deserve that fate?

Synopsis "Eclipso Rising Part Six: ...to be concluded."

Eclipso, the former Spirit of Wrath, has concocted a crazy scheme to kill the Presence by destroying the Earth and cutting it off from the conduit of love that it needs to sustain its existence. To accomplish this Eclipso has manipulated the Shade into helping him seize control of the Earth’s shadowcasting metahumans and entities. Together they successful stole the Starheart from Alan Scott, killed the Spectre, and split the Moon in two. The only people left to oppose him are the remains of the Justice League.

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BB #28 – The regular inker

There were three inkers who worked upon the first appearance of the Justice League in Brave and the Bold #28 – Bernard Sachs, Joe Giella, and Murphy Anderson. Anderson and Giella inked the Flash and Green Lantern chapters, but it was Sachs who inked the rest of the book and was the inker on the regular series.

Bernard Sachs

  • First Appearance: Silver Streak Comics #11 (June 1941)
  • Occupation: Inker of comic books, advertising animator
  • Claim to fame: Last JSA inker, first JLA inker.
  • Creator of: Inked the first appearances of Adam Strange and the Justice League
  • Homage: The source of the most expensive Roy Lichtenstein swipe ever sold.

Bernard Sachs has the distinction of being the last inker on the Justice Society’s original run and the first inker of the new Justice League. He was a prolific inker who brought a polished and clean, if not particularly dramatic, line to his work.

Early Comics Work

Cover to Airboy Comics #10 drawn and inked by Sachs.

Bernard Sachs was one of the legion of early comic book professionals who toiled away to produce our pop-art masterpieces, but of whom we know very little personal information. He may have been born in 1921 [1]. Julius Schwartz mentions visiting with Sachs and his wife Bernice who lived nearby to him [2]. He eventually left the field in the mid-1960s for an animation job with a large advertising agency before retiring in 1986 [3]. He passed away in 1998 [3].

Like his personal background, Bernard Sachs’ early comic book credits can be fragmentary, but the first work by him listed in the GCD is as a penciller on the “Dan Dearborn” feature in Lev Gleason’s Silver Streak Comics #11 (June 1941). He then pencils the “Espionage for X” feature in Quality’s Smash Comics #43-48 and #50 (June 1943 to Feb 1944). He reappears in 1946/47 on various features in various volumes of Airboy Comics for Hillman Comics either on his own or, quite often, inking the work of penciller Arthur Peddy on the “Heap”.

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