Asides from Twitter for 2011-08-31:

  • There is so much talk about #JL1 it's brilliant. My fingers are swore from typing so much so quickly. I'm sure there is still a lot to say, #

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Justice League (vol. 2) #1

Issue Credits

[credit role="Writer" name="Geoff Johns" ] [credit role="Penciller, Cover Penciller" name="Jim Lee" ] [credit role="Inker, Cover Inker" name="Scott Williams" ] [credit role="Colourist, Cover Colourist" name="Alex Sinclair" ] [credit role="Letterer" name="Patrick Brosseau" ] [credit role="Associate Editor" name="Rex Ogle" ] [credit role="Editor" name="Eddie Berganza" ] [credit role="Variant Cover Penciller" name="David Finch" ] [credit role="Variant Cover Inker" name="Richard Friend" ] [credit role="Variant Cover Colourist" name="Peter Steigerwald" ] [credits-output]

Quotes

  • Batman: The world's afraid of us.
  • Green Lantern: You say that like it's a good thing.
  • Batman: It's necessary.

Synopsis "Justice League Part One" (24-pages)

Five-years ago in Gotham City: a shrouded figure leaps across roof-tops as it is pursued by the familiar silhouette of the Batman. Witnesses near Gotham City docks saw the unusual figure attempting to plant a bomb, but spewed fire at the police who tried to confront it. That brought it to the attention of Gotham's vigilante, but the GCPD's armoured police are more interested in killing Batman that the fire-spewing terrorist. Continue reading


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Issue Credits

Writer
Geoff Johns
Penciller
Jim Lee
Inker
Scott Williams
Colourist
Alex Sinclair
Letterer
Patrick Brosseau
Associate Editor
Rex Ogle
Editor
Eddie Berganza
Cover Penciller
Jim Lee
Cover Inker
Scott Williams
Cover Colourist
Alex Sinclair
Variant Cover Penciller
David Finch
Variant Cover Inker
Richard Friend
Variant Cover Colourist
Peter Steigerwald

Quotes

  • Batman: The world’s afraid of us.
  • Green Lantern: You say that like it’s a good thing.
  • Batman: It’s necessary.

Synopsis "Justice League Part One" (24-pages)

Five-years ago in Gotham City: a shrouded figure leaps across roof-tops as it is pursued by the familiar silhouette of the Batman. Witnesses near Gotham City docks saw the unusual figure attempting to plant a bomb, but spewed fire at the police who tried to confront it. That brought it to the attention of Gotham’s vigilante, but the GCPD’s armoured police are more interested in killing Batman that the fire-spewing terrorist.

Continue reading

Asides from Twitter for 2011-08-30:

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Naming the Ages


Newsarama started a debate over what to call the period of the DC Universe from the Crisis on Infinite Earths to Flashpoint as the usual term, post-Crisis, is increasingly confusing.It got me thinking so I sketched out the different eras/versions of the DC Earth/Earths in the above flow chart (click it to enlarge, updated to include Wildstorm). The trouble with most of Newsarama’s suggestions is that they get into descriptions of in-universe trends and those may only be true for one particular phase of that entire Earth 0.1 to Earth 0.4 cycle. That block is 25-years long – as long as the Silver and Bronze Ages combined.

The classic publishing ages don’t really match step perfectly with the in-universe continuity either. For example, the Classic Earth-One continuity period covers both the Silver Age and the Bronze Age (the split between them being the wholesale replacement of DC’s old guard at the end of the Silver Age and the injection of a new wave of writers and artists). Earth-Two is often use as a short hand for the Golden Age material, but, in a strict sense, its a Silver/Bronze Age construction. Ditto for all the multitude of Classic Multiverse Earths. And all of this is what we generally lump together as pre-Crisis.

The post-Crisis on Infinite Earths DC Universe splits into five distinct incarnations with each separated from the last by a wholesale in-universe revision of the timeline. This happens in Zero-Hour, Infinite Crisis, Final Crisis, and in Flashpoint. The timeline is revised in Zero-Hour to fix the continuity mess created by merging five parallel Earth’s into one at the end of the Crisis on Infinite Earths. Infinite Crisis splits the single Zero-Hour Earth into a Multiverse of 52 Earths. Grant Morrison restarts the timeline in Final Crisis with, for once, little visible effect on continuity. And then Flashpoint rejigs everything again and and brings us the post-Flashpoint Earth of the New 52. If that’s confusing think about all the parallel Earths that vanish with the Crisis and reappear with the Infinite Crisis.

All that post-Crisis revision doesn’t really parallel with any particular publishing trend or age. The grim-and-gritty “Dark Age” is in vogue immediately after the Crisis and into the Image Comics dominated 1990s. A central thesis of Morrison’s Supergods is that, by the mid-to-late 1990s, there is a push back against the Dark Age and a new Heroic Age of sorts comes about in works like Waid and Ross’s Kingdom Come, Morrison’s JLA & All-Star Superman, and Busiek’s Astro-City. Its also arguable that we’re actually seeing a new Dark Age with mainstream comics dominated by the Authority, Ultimates, Hush – a sort of cinematic, widescreen, ultra-detailed approach – that’s certainly the look that the new JL appears to be following.

So names… the publishing ages don’t align well enough to be usable. Terms like post-Crisis, post-Zero Hour, etc are okay, but require a certain level of knowledge about when they terminate. A grandiose title might be something like the Crisis Cycle, like ‘ramas own Crisis Era, but it again requires you to know what a Crisis is. However, I suppose that could be said of many different terms. I think the most neutral choice might be to resort to archaeology where the age that follows the Bronze Age is the Iron Age or if you want to split it down the Dark/Iron Ages. Whether the post-Flashpoint world deserves its own Age remains to be seen.

Asides from Twitter for 2011-08-28:

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Amazing Andru/Giordano Superman cover

I was rifling through the back issue bins at the Birmingham Comic Show (good event, a bit small and more indy than my interests, but fun nevertheless) yesterday when I found this old Earth-One Superman comic from 1979. It’s not hard to find and its not a key issue, but that cover is amazing. It’s signed by Ross Andru and Dick Giordano. The ferocity of Krypton’s explosion with its brilliant-yellow core and the dark-green back-drop of space works brilliantly against the giant spectral figure of Superman. And that rocket design may not be flashy, but its shown to its best here as a bullet firing away from the dying world.

James Robinson’s next project is… Earth-2 JSA


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Newsarama has reported from Fan Expo that the previously rumoured James Robinson and Nicola Scott JSA series is a go:

“Should we tease?” asked O.M.A.C.writer and DC co-publisher DiDio. The rest agreed, and James Robinson confirmed that he is working on a new Justice Society project with artist Nicola Scott, and that the parallel world Earth 2 will make a return. The crowd erupted into thunderous applause.

Robinson’s JLA run drew heavily from the Justice Society for characters like Jesse Quick, Jade, and the entire Starheart mythos. He also wrote a mini-series/graphic novel called the Golden Age which is what really got him noticed, pre-Starman, as a proponent of DC’s Golden Age characters. So this could be a really big deal – a JSA series where James gets to build his JSA from the ground up with no outside interference.

Personally I’m really excited about this, but I’m also buzzing with all those obvious questions that come up – is this a 1940s JSA? A present day JSA? How much of the Geoff Johns JSA remains intact (JJ Thunder, Stargirl, etc)? What about Infinity Inc? Does this regenerate all Roy Thomas’ work? And more importantly – has the JSA been expunged from the New DCU? If they have how does that mean that Opal City and the Starman stories now only exist on Earth-2, does the new Shade series also only exist on Earth-2 (the Shade was original a Golden Age Flash villain). So many, many details – so many fun ways of answering them.

I wonder how may people remember this page from Brad Meltzer’s #0 (September 2006):

It’s a flash-foward to a hypothetical future event, namely the JLA discovering a parallel Earth and it references the JSA. It was also drawn by new JL artist Jim Lee. I don’t for a moment think they planned this, but it could be a brilliantly lucky guess.

Asides from Twitter for 2011-08-24:

  • RT @MarkWaid In stores today: JLA: HEAVEN'S LADDER, now in convenient non-tabloid size! Find one in your local comics shop! #

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