- Don't blame the mainstream press for spoiling the story, blame the comic company's press officer for telling them in the first pace. #
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Tuppence Terror: <unnhh> Son, you do pack a wallop…
Superboy: Lady, I’m not your son.
Tuppence Terror: And I ain’t no lady.
Tuppence Terror: Big mistake pissant!
Kid Flash: That’s Kid Pissant to you, sister!
Previously in “Independence Day” and “Fireworks”: Aqualad, Robin, and Kid Flash has hoped that their induction into the Justice League would actually mean something, but it turned out to be more symbolic than real. They sought to prove themselves to the League so they infiltrated Cadmus Labs and liberated a teenage clone of Superman called Superboy. Their fight with Cadmus leveled the above ground facility and brought a response from the full Justice League. Batman told them that they were being stood down, but Aqualad and co stood up to him and for what they had achieved together.
Blue Beetle: Yep. A whole new wide world of suckage.
Previously: The Justice League International’s headquarters have come under-attack from Maxwell Lord’s new Creature Commandos. The JLI had been separated with Fire and Ice in the sick bay and the others outside. Booster had decided to withdraw and ordered the Blue Beetle (Jaime Reyes) to find Fire and Ice. However, Jaime was singled out for attack by the Commandos and was kidnapped by Maxwell Lord while the other heroes were incapacitated.
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Robin: The bad guys know we know that they know about the place so they’d never think to look here.
Kid Flash: What he means is we’re hiding in plain sight.
Robin: Fast with his feet, not so fast with his mouth.
Kid Flash: Dude!
Previously in “Independence Day” and “Fireworks”: The sidekicks Aqualad, Kid Flash, and Robin had sought to prove themselves to the Justice League by infiltrating Cadmus Labs. In the process they liberated a teenage clone of Superman called Superboy and found a new purpose as their own team. However, Batman was unwilling just to let this new teen team run loose so he drafted them as a new covert branch of the Justice League proper. Based in the League’s original Cave headquarters the four boys, plus Miss Martian, will be mentored by the Red Tornado and trained by the Black Canary.

Credits: Written by Judd Winick; art by Sami Basri; coloured by Sunny Gho and Jessica Kholinne; lettered by John J. Hill; edited by Rachel Gluckstern (associate) and Mike Carlin; cover by Basri and Gho.
Synopsis “Beasts of Burden”: Power Girl has followed the trail of Divine (her raven-haired clone) to a cloaked facility in Vietnam. Professor Anthony Ivo introduces himself and tells PG that she has found the location of the new Cadmus Project. He then sets his menagerie of genetically engineered monsters on her (including a four-armed albino King Kong called “Caspian”) with the expectation that they would stop her getting inside. However, PG just brushes them aside and flies straight through all of Ivo’s safeguards. She plugs s USB transmitter into a computer console allowing Nicco to download their database while she continues to explore. Nicco decides that he has to do something with the mountain on unencrypted intel so he forwards it to the Batcave for archiving. PG discovers that Ivo has even cloned Krypto (Superman’s dog), but the Krypto clone recognises her as a kryptonian and starts helping her. They have the upper hand until Maxwell Lord arrives and shuts down Power Girl’s opposition with his mind control. He then makes her believe that Captain Atom was responsible for Magog’s murder and that it’s her duty to take down the JLI.
Continuity: The Batman that Nicco calls is Bruce Wayne (raised bat-emblem with the yellow oval). Whether this is deliberate or whether it’s an art mistake will have to wait for a following issue. The end of this issue takes place simultaneously with Justice League: Generation Lost #17 and continues in Justice League: Generation Lost #18.
Opinion: Another great issue from Winick and Basri. The emotional turmoil that PG faced last issue is pushed to one side as she does some monster punching. Why do I get the feeling that Anthony Ivo has had way too much fun working for Max. That old scientist must be a real movie buff considering the monsters and Creature Commandos that he’s been manufacturing (either that or he’s a pokemon fan). “Clambake”, the big clone of Krypto, was also fun and I hope they’ll keep him around. This issue finally leads directly into Generation Lost and there is some relief that we’re moving beyond the investigation phase of PG character arc.
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DC’s Solicitations for April 2011 are now online. Generation Lost reaches its final issue and the ultimate confrontation with Maxwell Lord. The big addition to this months solicitations are DC’s new age ratings.These run from E for everybody, to T for Teen (12 and older in their definition), T+ for older teens (16 years and older), and mature which is pretty much what they’d had on the Vertigo line. Under this system both Justice League of America and Justice League: Generation Lost are rated Teen while Young Justice is rating E. I understand why people want rating, but I’ve normally found them to be pretty useless.
The Justice League are firmly in the grasp of Eclipso this month as “The Rise of Eclipso” continues. We also get an 80-page giant that themed towards horror/dark foes. I’m unfamiliar with the talent-line up, but it’s interesting to see Superman, Martian Manhunter, and Wonder Woman back on a JLA cover.
JLA #55 was part of the “Rein of Doomsday” crossover as it meanders through DC’s line. The next part is also by JLA writer James Robinson and appeared in the Superman/Batman Annual.
Justice League: Generation Lost concluded with the double-sized issue #24. It’s been a long road getting here with two-years worth of stories compressed into a single year.
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Today (Wednesday 19th) sees the publication of JLA #53 the last part of JLA: Omega (preview here) and the last issue to be pencilled by Mark Bagley. Mark has been a DC exclusive artist for a few years now providing art for Kurt Busiek’s Trinity weekly and then Justice League of America. He’s now returned to Marvel to kill Spider-Man. His replacement at DC on JLA is Brett Booth who has already done the art for Starman/Congorilla #1. Booth has commented on his blog that he’s on the series “through the summer” at least.
The next big story-arc is called the “Rise of Eclipso” and starts in JLA #54 with a story focusing on Eclipso. DC recently showed off three-pages of Booth’s pencils on their blog.
The preview shows Eclipso gathering a group of shadow powered individuals including the Shade and Nightshade of the Shadowpact, both of whom are noted as being missing by Congo Bill during Starman/Congorilla. The third character shown is Arcata a Mexican shadow-teleporter from the Planet DC Annuals.
DC also teased other details from thee arc including:
A lot of those events – Cyborg Superman, Doomsday, and Saint Walker – show up in JLA #55 as a chapter of the “Rein of Doomsday” crossover. Doomsday has reappeared and has been attacking/kidnapping the four heroes who appeared in Metropolis following his murder of Superman. The crossover continues in Superman/Batman Annual #5 (cover shown below) which will be written by Justice League writer James Robinson with art by Miguel Sepulveda.
The annual is a team-up between the JLA’s Batman and Supergirl against Doomsday.