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Monthly Archives: November 2009

Who is Vibe?

JLA #39 featured the return of Paco Ramone, Vibe, as a Black Lantern. He was distinguished by being the first serving biological (non-android) Justice Leaguer to die whilst a member of the group (Barry Allen wasn’t a member when he died). He’s one of those characters who really divides the fans. There are people who genuinely like the cheesiness of a break-dancing superhero, but there are many more who hate the clichéd Hispanic stereotype.

One of the hooks for the character was that he was the local superhero in the district where the Justice League choose to make their headquarters – foreshadowing the Parisian Crimson Fox in Justice League Europe. Vibe’s link to his neighbourhood gave the Detroit League an instant supporting cast. For me, Vibe lost a lot of his interest as a character when he was removed from that neighbourhood. What I find interested is that Vibe was aware of his League’s inadequacies and was increasingly critical of it in the months before his death.

vibe2

Stats

  • Codename: Vibe
  • Alter Ego: Paco Ramone
  • Occupation: Gang member, crime fighter
  • Known Relatives: Armando Ramone (brother, the hero Reverb/Hardline), Rosita “Rosa” Ramone (sister), unnamed mother, father, step-father, and younger siblings (two brothers, two sisters).
  • Base of Operations: Cameron Street, Detroit, later New York City.

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Muppets’ Bohemian Rhapsody

I probably should be blogging about comic books or something similar, but this is just too spectacular not to post…

[Via Nerdist]

Krypton’s red sun

I was thinking about the possibility of planets existing around a red star…

Eldirao, TheSun of Krypton

Krypton’s sun, Eldriao, is a red star. This is a major plot point in the Superman comics. Kryptonians have evolved under the weak solar spectrum from their red sun and on their own world they’re no more super and a normal human is on Earth. However, under a yellow sun a Kryptonian gains vast superpowers. Knowing the star’s colour we can fairly accurately determine its other properties.

redsun

The single factor that dominates a star’s life is its mass. A star is essentially a giant ball of hydrogen with a self-sustaining nuclear (fusion) reaction at its centre. The amount of fuel for that reaction is determined by the mass of the star – double the mass of the star and you double the fuel available. The amount of light and power that the star radiates, its luminosity, is determined by the ferocity of that reaction and that ferocity is determined by the mass of the star to the power of 3.5 — if you double the mass you increase its energy output by a factor of 11! As you’ll notice, larger and larger stars burn fuel faster than the amount of available fuel increases. A massive star will be very powerful, but it will have a really short life span – maybe only a few million years. By contrast, a low mass star will be pretty dim, but it will keep shining for billions and billions of years.

Red Dwarf

If Eldriao is normal “main sequence” star – a star that hasn’t just formed and hasn’t run out of its normal fuel – the red colour will indicate that it is relatively low powered and low power output means low mass. These low-mass red dwarf stars last a very long time. One estimate of Eldriao’s age points at it being over 8 billion years old (the Fleischer Superman Encyclopaedia) which is consistent with it being of comparable or lower mass than our own Sun.

Planets can form around such a weak star, but the problem for life is something called the Goldilocks Effect. Life, as we know Jim, needs liquid water on the surface of a planet. Water will boil away on a planet that is too close to a star and it will freeze on a planet that is too far away. The distance of the planet from the star has to be just right (ergo the Goldilocks reference). For a red dwarf this habitable distance from the star is very small as a planet will have to huddle close to the star to stay warm.

Nevertheless, astronomers have found planets around these red dwarf stars. The most famous is Gliese 581, a star just 20 light years away from the Earth. It has a system of planets around it and it looks like one of these is within the habitable zone. Bizarrely, its so close to its sun that this planet only has a “year” that is 14 Earth days long. The case of Gliese 581 certainly means that a Krypton like world exist around a red dwarf star.

Red Giant

The alternative explanation for the red colour would be that Krypton’s star is dying. After the hydrogen runs out of at the centre of a star it starts burning other elements including helium and carbon. The change in the way the fuel is burnt causes  the star’s structure to change. The core contracts and the other layers puff up creating a giant outer envelope. Krypton’s sun could be one of these red giants, but the transition from normal star to red giant causes havoc on a solar system.

As the star swells up to giant size it engulfs the planets closest to it. Its changing luminosity also means that the habitable zone – the part of its solar system that can support life – will also shift. There is certainly a variation of the Superman story that could be told about how life evolved late on Krypton as it shifted into its solar system habitable zone or how the Kryptonians migrated there from another planet to escape the star’s expansion. This latter option could explain an old Kryptonian myth about their world being settled by interstellar travellers 10,000 years ago. The shifting solar system could also explain why the planet Xenon was thrown out of the Kryptonian solar system. The same shifting gravitation patterns could even be invoked to explain Krypton’s own destruction.

Which is it.

Personally I’d have thought that Krypton’s sun was a red dwarf. The idea of a red giant is certainly interesting, but a habitable world surviving the transition to a giant sun seems too improbable.

Absolute Justice, Smallville style

I’d gotten rather use to the lite versions of DC heroes on Smallville, the “before they were famous” versions, but it looks like they are about to do some serious DC history. The producers of Smallville have bolted two New Year episodes together to create a TV movie called “Absolute Justice”. Here’s the trailer.

Not bad at all. You can tell that they’ve had input from Geoff Johns. Just the appearances of Sandman and Doctor Fate would be enough, but they’ve already released/leaked pictures of Hawkman (Michael Shanks, Daniel Jackson from Stargate) and FIRC Johns has alluded to the addition of Stargirl. The appearance of the Green Lantern ring was a surprise. I wonder how many of these appearances are just easter eggs – teasers for the fans to recognise, but no real plot presence.

JLA #39 preview

JLS Cv39 dsjla_39_dylux-1-copy

DC’s The Source blog has posted up a preview for JLA #39. Its the start of a new story, a tie-in to Blackest Night, that sees the Justice League come face-to-face with their deceased team-mates. Go to the Source for all five pages.

Justice League: The Brave And The Bold Part Two

Screen Shots

Episode Credits

Story Director Music Voice Director
  • Rich Fogel
  • Paul Dini
Dan Riba Michael McCuistion Andrea Romano
Teleplay
Dwayne McDuffie
Main Cast Guest Cast
Kevin Conroy Batman Powers Boothe Grodd
Maria Canals Hawkgirl David Ogden Stiers Solovar
Susan Eisenberg Wonder Woman Virginia Madsen Dr Corwin
Phil LaMarr Green Lantern Phil Morris General
Carl Lumbly J’onn J’onzz Andre Sogliuzzo Swat Officer
Michael Rosenbaum Flash
Animation Timing Director Storyboard Character/Prop Design Animation Services
  • James T. Walker (as James Tim Walker)
  • Kirk Tingblad
  • Bret Blevins
  • Joaquim Dos Santos
  • Dan Riba
  • James Tucker
  • Adam Van Wyk
  • Robert Fletcher
  • Shane Glines
  • Art Lee
  • Glen Murakami
  • Tommy Tejeda
  • Bruce Timm
  • James Tucker
  • Glenn Wong
Koko Enterprise Co. Ltd.
Animation Directors
  • Kim Se-Won
  • Lee Byung-Ki
Series Story Editors Series Directors Producers Associate Producers
  • Stan Berkowitz
  • Rich Fogel
  • Butch Lukic
  • Dan Riba
  • Rich Fogel
  • Glen Murakami
  • Bruce Timm
  • James Tucker
Shaun McLaughlin
Executive Producers
Sander Schwartz
Theme: Lolita Ritmanis, Main Title Design: Bruce Timm, Main Title Animation: Cantina Pictures Visual Effects

Synopsis

Previously in Brave and the Bold Part One: Hidden in the African veldt is a city of intelligent gorillas who have lived in peace, isolated from humanity, for thousands of years. Solovar, the chief of security of “Gorilla City”, stopped an attempt by a power mad genius called Grodd to take control of the city, but Grodd fled with the City’s defence codes. Grodd made contact with a human scientist called Dr Sarah Corwin in Central City and involved her in his plans. Solovar discovered the connection between Grodd and Corwin and followed him to Central City. Green Lantern and the Flash became involved when Grodd’s mind-controlled minions attempted to steal a supply of radioactive isotopes. After some confusion they allied themselves with Solovar, but were unable to stop Grodd activating a device that appeared to erase Central City from the face of the Earth.

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Legends of the Superfriends

I’ve heard that Legends of the Superfriends was bad, but I never realised how bad. I just stumbled across some clips of it on Youtube:

That was comedian Brad Saunders as “Ghetto Man.” If its the same Brad Saunders, he’s still in the comedy business with his Babysitter Productions outfit.

As cringeworthy as that was, and yes that was actually Adam West as Batman, remarks like,

A few years ago the NAACP asked you guys to integrate, but I’m sorry, we don’t feel that the Green Lantern qualifies as coloured people. — Ghetto Man

don’t seem too far off the mark nowadays — and this was made thirty years ago!

Owlman macquette from Crisis on Two Earths

owlman

To coincide with the release of Justice League: Crisis on Two Earths DC Direct are releasing a hand-painted cold-cast porcelain maquette of Owlman (sculpted by Derek Miller). It’ll ship in February 24, 2010 and will set you back a penny less that $100. It does look quite cool, but I’m not sure I’d want just Owlman on his own. Now paired Batman and Owlman macquettes with mirrored poses would be harder to resist.

JLA Solicitations for February 2010

Newsarama have a preview of the JLA solicitation blurbs for February 2010. The cover for JLA #42 was teased a few days ago, but we get our first look at an image from Cry For Justice #7. The blacked out figure looks like he’s got a quiver so that’d make him either Green Arrow (Ollie) or Red Arrow (Roy).

JUSTICE LEAGUE: CRY FOR JUSTICE #7

Written by James Robinson, Art and cover by Mauro Cascioli

This is the big one! After the catastrophes seen in issues #5 and #6, a hero loses control, leading to an unexpected ending that will fundamentally change the lives of the World’s Greatest Heroes forever. This issue launches a major storyline in the DC Universe and is not to be missed!

On sale February 24 • 7 of 7 • 40 pg, FC, $3.99 US

JUSTICE LEAGUE OF AMERICA #42

Written by James Robinson, Art and cover by Mark Bagley & Rob Hunter, Variant cover by Adrian Melo & Mariah Benes

In the aftermath of the horrific events of JUSTICE LEAGUE: CRY FOR JUSTICE, a member is comforted by his friends and fellow Justice Leaguers over his tragic loss. And when Dick Grayson is offered membership, will the new Batman accept? Or would he rather operate outside the realm of the World’s Greatest Heroes?

Meanwhile, Ray Palmer attempts to unlock a device that’s been discovered by the team. Will it spell their doom – or something far worse? They’d better find out soon because Dr. Impossible has chosen now, of all times, to attack! Who exactly is this mysterious villain and who has he brought back with him? The new era for the team marches forward!

On sale February 17 • 40 pg, FC, $3.99 US

Batman the Movie Blueray

joker-blueray

I wanted to test out a new blu-ray drive so I bought the blu-ray release of Batman the Movie (1989). I’ve seen the film dozens of time before on DVD, but never on “hi def.” I briefly reviewed it, the 1989 Tim Burton version, before. My thesis at the time was that Burton’s adaptation was actually very close to the 1960s TV series – remove the comedy/camp and you’re left with a surprisingly familiar experience: a classic actor as the Joker, odd camera angles, coloured gas, ineffective police, etc.

It’s strange what you notice. I found myself being drawn into the story more that I had been before, the clarity of the picture means your constantly noticing things, often little details. The two junkies that Batman busts at the start are even more unpleasant than before. The improvement over DVD only really stands up if you’ve got a TV/decoder that can handle the full resolution. Shown at DVD resolution at normal TV size you’ll be hard pressed to notice the difference, but you don’t really need me to tell you how good hi-def if. At first I wasn’t going to bother with replacing my old DVDs with blu-ray, but I think I’m going to have to reconsider that.

thecar-blueray

Things I hadn’t noticed before included a picture of Pop-eye on the notice board behind Knox’s desk (had he been investigating Popeye before he investigated the Batman) and the top of the cupboard in Wayne Manor’s Dinning Room that echoes the Batman symbol. Silly little things, but they all serve to draw you into the world. There is a scene in the Batmobile where Vicky Vale turns to try and get a better look at the Batman so he turns on a light to blind her. It’s only a minor element to the scene, but it wasn’t something I’d taken in before.

Anton Furst’s Gotham City looks spectacular in high-definition and the visual flair of the film is only enhanced by the transition. There are, however, places were model shots or matt lines become more prominent. Hi-def makes the good looking parts even better, but it also makes the bad looking parts far more noticeable.

I’d score the Blue-ray release half-a-star higher than the DVD release just because this is a film that really benefits from the transition, but I don’t expect that to be the same for all films.

4.5