The trailer starts after the 20s advert…
Rick Marshell over at MTV’s Splash Page Blog has posted up the above copy of the Justice League: Crisis on Two Earths sneak peak feature from Superman/Batman: Public Enemies DVD.
The trailer starts after the 20s advert…
Rick Marshell over at MTV’s Splash Page Blog has posted up the above copy of the Justice League: Crisis on Two Earths sneak peak feature from Superman/Batman: Public Enemies DVD.
This Wednesday, or today if you’re reading this on Wednesday 30th September, sees the release of a new Justice League eighty-page giant. The all new JUSTICE LEAGUE OF AMERICA 80-PAGE GIANT #1 is written by Chuck Kim. Comic Book Resources have an interview with Chuck Kim about the new story,
CBR News: How did you get involved in this project? Was this a story you pitched, or did DC come to you?
Chuck Kim: DC came to me. [Editor] Eddie Berganza pitched me on writing part of the issue. Without revealing too much, it’s a very classic Silver age-y story concept, which are among my favorite sort of comics to read. I love stories with scads of characters, and this one definitely has that. So I jumped at the chance. Eddie’s been very good to me over the years, and we’ve remained great friends since we were both working together in DCU editorial. Plus, he always puts out great stuff and really allows his creative teams a lot of freedom. So when the stars align and we have the chance to work together, I’m always very eager to do so.
The DC Solicitation for the story describes it as:
Written by Chuck Kim, Josh Williamson, Rich Fogel and others; Art by Mahmud Asrar, Adrian Syaf and others; Cover by Jay Anacleto
With a tale this massive, we could only fit it in an 80-page giant! When a battle between Epoch and the Time Commander spills over into our era, the Justice League finds itself scattered throughout time. That leaves Superman and Dr. Light fighting alongside a tornado-powered Samurai, Green Lantern and Red Arrow locked in a showdown with Cinnamon in the Old West, Green Arrow and Firestorm facing the Bride of Frankenstein in WWII, John Stewart and Vixen drawing swords alongside the Shining Knight, and Black Canary and Zatanna evading gangsters with the original Crimson Avenger!
Reintroducing the classic, extra-sized issues for a whole new generation, this special issue features the writing of TV’s Chuck Kim (Heroes) and Rich Fogel (Batman Beyond, Justice League) along with writer Joshua Williamson (Dear Dracula) and artists such as Mahmud Asrar (Dynamo 5) and Adrian Syaf (BLACKEST NIGHT: BATMAN)!
There is a PDF preview on the DC website.
I must admit that this one slipped under the radar for me – what with all the fuss about Cry for Justice and the changing creative team – but it does look a lot of fun.
The original 80-Page Giants were special anthology like issues that contained reprints of old stories – this was back before there was a trade paperback market. DC revived the format about a decade ago for one off anthology specials containing new material, but there haven’t been any for a while now.
Youtube user gwoyang has posted a video of the Justice League photoshoot at this years Dragon-Con 2009.
You may remember we linked to a photo from last year’s photoshoot.
| Writer | Director | Music | Voice Director |
|---|---|---|---|
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Dan Riba | Lolita Ritmanis | Andrea Romano |
| Main Cast | Guest Cast | ||
| Christopher McDonald | Jor-El | Roger Rose | Driver Cop |
| Finola Hughes | Lara | Brian George | Councilman |
| Corey Burton | Brainiac | Jesse Batten | Baby Kal-El |
| Tony Jay | Sul-Van | Vernee Watson-Johnson | Female Worker |
| Art Director | Animation Timing Director | Storyboard | Character/Prop Design |
| Glen Murakami | Thomas McLaughlin Jr. |
|
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| Animation Services | Animation Directors | ||
|
Kim Sae Won | ||
| Series Story Editors | Series Writers | Series Directors | Producers |
|
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|
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| Associate Producer | |||
| Haven Alexander | |||
| Executive Producers | |||
| Jean MacCurdy | |||
| Theme: Shirley Walker | |||
The planet Krypton was home to a scientifically advanced, human-like civilisation, but it was threatened a series of increasingly strong tremors which were shaking the entire world. Krypton was governed by a central Planetary Council, but most of its day-to-day administration was left to an intelligent computer network called Brainiac. It attributes the quakes to a polar shift in Krypton’s orbit, but the independent scientist Jor-El thinks otherwise. Jor-El conducts a five month study into Krypton’s geology and seismic activity. The last survey point is a deep shaft cut into the Krypton’s northern ice fields. He is so intent upon studying the data that he doesn’t notice an approaching ice creature, a 30-foot long semi-transparent amoeba like creature that had been awoken by a recent quake, until it snares him from behind. Jor-El manages to wrestle free from the creature and escapes in his personal flier.
Brainiac contacts Jor-El as soon as he returns to his mobile research base. The scientist is not comfortable that Brainiac is monitoring him so closely, but it protests that the Planetary Council has commanded it to analyse his data as soon as possible. It cuts off their conversation the moment the data is transmitted. Jor-El’s mood improves when his infant son, Kal-El, toddles into the laboratory. The sudden movement of the research base signals that their five month research trip is ending, but Jor-El’s wife, Lara, has mixed feelings. They’ll be back in capital city, but she knows that it means Jor-El will probably spend all his time analysing the data that they’ve collected.
Jor-El believes that the tremors are caused by a chain reaction in Krypton’s core that will eventually destroy the planet. His theories, however, are not widely supported. Lara’s father, Sul-van, is a member of the Planetary Council. He warns her that Jor-El’s predictions of “the end of the world” risks his scientific and political career. Their argument is interrupted by a strong tremor that causes extensive damage across the capital city. Later, in a tense and rowdy session, Jor-El delivers his report to the Planetary Council. They refuse to believe his evidence and blindly trust Brainiac’s conclusion. Jor-El argues that Brainiac is wrong and they must act now to place everybody in the Phantom Zone, but his proposals horrify the Council and they refuse to listen further. Even Sul-van agrees with his fellow Council members.
JLA #37 is the last part of a story that bridges the end of Dwayne McDuffie’s prematurely curtailed JLA run and the start of his successors, James Robinson (currently writing the JLA mini-series Cry For Justice) and Mark Bagley (late of the Trinity weekly). The writer of this story arc (including JLA #35 and JLA #36) is veteran JLA writer Len Wein who wrote the League’s adventures in the 1970s and the artist is Tom Derenick.
From his privately owned Mississippi steamer Professor Amos Fortune and Roulette are playing a high stakes card game. He is using his own Royal Flush Gang while Roulette is backing the Justice League to win. The results are being relayed to her international gambling TV network. Fortune sent three of the Flush gang’s suits to different high profile locations to force the Justice League to divide their resources. Fortune had equipped his cards with the probability altering technology he had stolen from the casino (JLA #35) with the hope that it would swing the odds of winning away from the JLA.

Wonder Woman and the Red Tornado stop the Heart Suit from robbing the New York Museum of Natural History and are almost defeated by their own improbable bad luck. Ditto for Plastic Man and Doctor Light versus Spade Suit at Stellar Studios, Los Angeles and Firestorm and Vixen against the Diamond Suit at the Consumer Electronics Show in Chicago. In each case the Leaguers are almost defeated after they seem to make amateurish mistakes, but it still isn’t enough to let the Royal Flush Gangs defeat them. Vixen notices a floating camera relaying the fight to Roulette’s viewer and has the Red Tornado track the signal to Fortune’s river boat. The League storm the boat, but Fortune has held his Diamond Suit in reserve. They can’t defeat the League, but they do give Roulette and Fortune enough time to escape.
Afterwards, Roulette’s part in the affair become clearer. She reluctantly delivers a data drive containing the surveillance data on the Justice League and various other parties to the Key.

I find Roulette and the Key working for a superior an interesting proposition as neither of them is particularly given to minion status. Given the events in Cry For Justice it would be logical to assume that their unnamed overlord is Prometheus. A second epilogue shows the wife of a deceased Royal Flush Gang member apparently murdering Amos Fortune for sacrificing her husband.
This issue is a strong finale to what’s been an enjoyable three issue storyline. Len Wein manages to place this story in the context of the League’s ongoing problems and thus makes it feel connected to the ongoing narrative. (Just my opinion, but there is a potential problem with Justice League stories that don’t connect with anything else. It can work to the story’s advantage when they’ve got a strong roster (e.g the Morrison Big-7), but it can also leave the story feeling a little hollow if you don’t think there will be any sort of follow up. A League adventure should be a big deal and should have repercussions.)
Again with the multiple inkers. Each of these guys does sterling work, but please can we get back to the good old tradition of one penciller, one inker per issue.
| Site | Reviewer | Original Score | % | |
|---|---|---|---|---|
| Reviews Portal | Comic Book Resources | Doug Zawisza | 2.5/5 | 50 |
| Reviews Portal | IGN | Jason Sacks | 1.5/5 | 30 |
| Community Reviews | Comics Vine User Reviews | Ave of 0 review/s | /5 | 0 |
| Community Reviews | iFanboy | 183 pulls | 2.8/5 | 56 |
| Character Site | Superman Homepage | Michael Bailey | 3 (story) & 3 (art)/5 | 60 |
| Reviews Blog | A Comic Book Blog | Wayland | 3/5 | 60 |
| This Site | Captain’s JLA Blog | Jason Kirk | ![]() ![]() ![]() ![]() ![]() |
60% |
| Grand Average | ![]() ![]() ![]() ![]() ![]() |
53% |
JLA #37 is on the stands (I’ll post a review in the next few days) and DC has begun the PR onslaught for JLA #38, the start of James Robinson and Mark Bagley’s tenure. The DC website has released preview pages for JLA #38, but there are (minor) spoilers contained therein. There will also be a variant cover by Andy Kubert.
All the preview pages can be found on the DC Source Blog. With respect to the relative timeline of this, JLA #38 occurs before Blackest Night, but after Cry For Justice. That particular League (Vixen, Dr Light, Red Tornado, and Plastic Man) are the group Len Wein used for JLA #35-37, his bridging story between Dwayne McDuffie’s run and James Robinson’s run.
To coincide with the release of the preview Comic Book Resources have a new interview with James Robinson where he discusses the new League roster (revealed in an advert last week).
[CBR] So, James, will the formation of your JLA roster start to take shape in your current ongoing miniseries, “Justice League: Cry for Justice”?
[Robinson] Elements of “Cry for Justice,” plot points, fall right into “Justice League of America.” As you’ll see in the first issue, “Justice League of America” #38, I basically inherit the old team. That’s already in the aftermath of “Cry for Justice.” And then, we have the “Blackest Night” issues in #39 and #40. And then it’s only after that’s done, in issue #41 in January, where there’s a six-part arc where you’ll see the team come together and form from the various places – the team from “Cry for Justice,” the team that’s in the book at the moment and then obviously some of the new characters, like Donna, Batman and Mon-El. That all leads into a crossover with “R.E.B.E.L.S.” at the end of those six issues, in #45 and #46.
Nice to see R.E.B.E.L.S. getting some exposure. They’ve been facing down a version of the old JLA foe Starro. Robinson’s other comments suggest that there are definite plans for each of the new Leaguers, both in the JLA title, but in the wider DC Universe as well. He also answered the question as to whether there will be a post-Flash: Rebirth speedster in the group.
There will be. Yes. I’m talking to Geoff [Johns] about which one it will be. I just have to make sure that everyone at DC is happy with the choice. But there’s a definitely one I have in mind, and I think you’ll all find it an interesting choice.
Some some reason I’ve got a couple of boxes of old trading cards. I was never excited enough with the concept to ever collect or swap them in anger, but I’d invariably end up picking up a couple of packets of the latest range just to see what they were like. I’d also rummage through the loose bins at collectors fairs to see if there were any cards that, magpie like, would attract my attention.
The cards that tend to get my attention are those with original art work. This is stuff that hasn’t been printed anywhere else so I thought I’d try putting some of it in the gallery. The first batch are from a Superman: The Man of Steel Platinum Series (1994) and feature paintings of prominent events from Superman’s post-Crisis on Infinite Earth’s history.
The first card is painted by Joe Phillips and shows Superman and the Justice League that came out of the Legends crossover.
The second card is is painted by Nick Choles and shows the Justice League immediately prior to Doomsday’s epic battle with Superman.
DC have announced the December, 2009 solicitations (copies at Newsarama & CBR) for their comic book and DC Direct lines. On the JLA front we have JLA #40, the second Robinson/Bagley issue and a tie-in to Blackest Night, and the advanced solicitation of the Alan Burnett/Dwayne McDuffie Sanctuary trade edition.
JUSTICE LEAGUE OF AMERICA #40Written by James RobinsonArt and cover by Mark Bagley & Rob HunterThe JLA can’t escape the BLACKEST NIGHT! Faced with the continuing threat of the Black Lanterns, Zatanna, Vixen and the rest of the team confront their pasts when fallen friends and foes return for blood!On sale December 16 • 40 pg, FC, $3.99 US
JUSTICE LEAGUE OF AMERICA: SANCTUARY TPWritten by Dwayne McDuffie and Alan BurnettArt by Ed Benes, Carlos Pacheco, Ethan Van Sciver and othersCover by Ed BenesThe Justice League face off with The Suicide Squad when a cabal of Super-Villains turn themselves over to the Super Heroes for protection – much to the chagrin of Amanda Waller and her super-team. This volume collects JUSTICE LEAGUE OF AMERICA #17-21 and features a tale drawn by THE FLASH: REBIRTH artist Ethan Van Sciver!Advance-solicited; on sale January 20 • 128 pg, FC, $14.99 U
The holidays mean that Diamond have taken the unusual step of skipping a week (December 30th) giving them four rather than five shipping weeks in December. Cry For Justice #6 hasn’t been solicited, but I assume that’s because it would have been in the missing week and is being held over until January.
Go see Newsarama for all seven preview pages. JLA #37 should hit stores this Wednesday (US) or Thursday (UK). This is the conclusion to Len Wein’s three part Royal Flush Gang story.
There has been a hardening of international relations over the issue of meta-humans in the DC Universe. It could be argued that this caused by the Black Adam/World War III incident, but it pre-dates that with the Freedom of Power treaty. This goes back to 52 and the One Year Later storylines. The Freedom of Power Treaty was an international agreement between certain countries that limited the scope of foreign superheroes, read American superheroes, to work within their borders. Black Adam’s Kahndaq, North Korea, Myanmar, China, Russia and others signed the accord before Intergang’s attack on Kahndaq. Despite Adam’s fall the Treaty survived and was a plot point in the first One Year Later Green Lantern storyline.
Superman, Batman, and Wonder Woman – indeed the Justice League itself – was absent whilst the Treaty was negotiated. So it was in the post-Freedom of Power Treaty political climate that the League reorganised. I would now argue that the Justice League is now more closely aligned with the US Government that ever. During the old Satellite and JLI eras the Justice League was sponsored and recognised by the United Nations. It was never that closely tied to the American government. By contrast its predecessor, the JSA , was actually drafted by the WWII era government into the All-Star Squadron and had very close early collaborations with the FBI. That relationship eventually broke down with the Communist era witch hunts.
The League started taking an interest in the White House during the Lex Luthor Presidency. It was Lex Luthor who tried to tie the League to Washington by using Federal money to fund their activities and it was two Justice Leaguers, Superman and Batman, who were responsible for an effective coup d’état. The League also had two moles inside the Luthor White House (Martian Manhunter and Black Lightning). The next League reformation after Luthor’s removal saw the League’s headquarters move to Washington DC, to the site of the old All-Star Squadron headquarters – the old Government sanctioned/controlled superhero team.
Nationally, this is a massive political signal. The Justice League dethroned one President and has now moved itself threateningly close to the next. Also remember that Supergirl, the cousin of the JLA’s leader, attacked Air-Force One whilst the Amazons, a people ruled by another Leaguer’s mother, were laying siege to Washington. Internationally the ramifications of the Washington/JLA power play is more disturbing. Despite the “of America” in its title, the League had claim to be an independent or UN backed peace keeping force. That can no longer be considered the case. The move to muscle into Washington signs that the League is more “OF AMERICA” than it has ever been and that will make other countries nervous.
The Global Guardians reformed in an attempt to oppose the Freedom of Power Treaty, they wanted to prove that a superhero group that was independent of national control could still work. However, its Checkmate, an organisation primarily of non-metahumans, who has taken over much of what might have traditionally been through of as the Justice League or the Global Guardians’ international duties and has filled the void that was left by the collapse of Justice League International. The death of the Martian Manhunter has removed the Southern Hemisphere’s most prominent hero. Prometheus’s attack on the Freedom Beast and various member of the Global Guardians has further depleted the stock of independent non-American superheroes. Japan’s own national superhero group is defunct with the Rising Sun’s alcoholism, Doctor Light living in Metropolis, and Young Super Team have left for a PR tour of the USA.
This collapse in the independent international superhero community is balanced by the renaissance of local superteams in the countries who signed the Freedom of Power Treaty – in particular Russia’s Rocket Red Brigade and the launch of China’s The Great Ten. The League’s move to Washington parallels this. We are effectively watching the nationalisation of the superhero. Surprisingly the only group that appears to be running against this trend are the Justice Society. Their close ties to Checkmate and their work against international terrorists like Kobra make them seem far more internationally balanced than other comparable teams.
I don’t really know where this trend will end up or even if it will be acknowledged by the DCU writers. There is a lot of story telling potential there, but nowadays DC seems more interested in interstellar or inter-dimensional stories than international ones.